Reviews for The Drifting Classroom

I really enjoy this manga, The Drifting Classroom. Heck, it’s my favorite of all the manga I read. But! That, however, will not affect my review of this series. Even though I like it, I will deliver a totally honest review about it. Story: We have a lot of disaster manga in the past such as Dragon Head or Eden that deal with the end of the world or a certain place and the characters must find a way to survive the area that they live in. This series is no different and that’s why I don’t give it a 10, butwhy do I give it a 9? The reason is because the story is constantly changing, new situations that astound us and the characters are always popping up and changing the story and the survival rate for characters from the ground up. It really is an incredible story, but not something we have already seen in the past in this day and time.

I have recently read the ending of the series. Though the ending wrapped up every lose end and had a decent conclusion, I wasn't completely happy with the ending and some other people might not as well. I'll have to edit my review slightly for that.

Art:

Now this part really could either kill the manga in some people’s minds or really catch their attention. Do you like girls who are busty and curvy? Do you like guys who are tough and hunky? Do you like attractive art and cuteness in your story? You do? TOUGH LUCK! This story has got zip on any of that stuff! It gets down and gritty providing us with totally unique characters, areas, and monsters that really look different than any other artist out there. There is blood and gore in the story, but most of the body tearing is seen off screen so you don’t see what the person looks like torn apart at the ends, though someone gets a spear thrown into his eye. Ouch!

Character:

The characters are cool. You got your hero who is a prankster, a villain who is a delivery man, and plenty of others to fill the void. Don’t get too attach to most characters however, a lot of them have a few misfortune. I had a favorite character who didn’t have a name that I wanted to see make it to the end, but sadly didn’t get that chance. There are some you’ll really hate and some you’ll like. It all depends if you can stand their personality or not.

Enjoyment:

Do you like disaster type stories? You’ll love this one for sure, even some who don’t! My biology and physical science teachers, grandma, a lot of my friends, and my cousins all like this story and they aren’t fans of manga at all. This story can appeal to a lot of people, trust me. This story is also worth a few rereads even if it ends. There is no filler in it like other mangas so that should up the enjoyment.

Overall:

This is my comic of all time and after reading it, you’ll see what I mean. As stated before, disaster manga fans will love this, also sci-fi and horror fans will for sure get a kick out of this story. Most other people will dislike this though. Though the ending might not be what everyone has been hoping for, it was still nice.

This series contains blood and gore, strong violence, violence against children, images of suicide (If that bugs anyone), slight nudity (Only one scene out of the entire series so far, but it isn't really bad), and some strong language. If you are touchy about any of that stuff, avoid this series

The Drifting Classroom is a curious horror manga, a story that sets Lord of the Flies in a desert surrounded by nightmares. Children are transported to a wasteland along with their school and the surrounding grounds. Chaos ensues as they negotiate the dread of limited food and water, as sixth grader Sho Takamatsu tries to prevent his fellow students from becoming ravenous animals. First published in 1972, The Drifting Classroom still manages to create an eldritch atmosphere thanks to Kazuo Umezu’s classic manga artwork. After the first volume gruesome scenes occur nearly every other page, saying far more than poorly translated dialogue. At times it’sdisturbing, but it’s not disturbing for its own sake. What’s depicted is realistic when faced with murder and absurd horrors, a brutal reality indifferent to the well-being of stranded children.

Two themes run through the work. The first is hope, which becomes a bit kitschy and force-fed but in such a situation what else could a survivor hold on to? Afterall hope was the compass that guided Shackleton’s Incredible Voyage.

Death of innocence is the more interesting theme. Children who can’t rationalize are the first to succumb, regressing to infants or becoming barbarians—which may be the only true path. While the protagonist manages to hold on to civilization, manages to empathize even when his own survival is jeopardized.

Like Lovecraft, Umezu piles one question on top of another and never gives the reader an answer. I was left as confused, unsure, and excited as the unfortunate children. Some interesting plot points are raised, as if an epiphany is about to reveal itself that will resolve every mounting question; only to be pushed aside for the next mishap. It’s somewhat disappointing but works to reinforce the sense of hopelessness that runs through The Drifting Classroom’s veins. It’s clear the manga is not perfect.

Breakneck pacing is The Drifting Classroom’s biggest disappointment. Once one impossible conflict is conquered the next one immediately begins; there’s no time for characters to develop or breathe after an arc. It gives the impression that events have happened in a matter of days, contrary to plot points that beg for more time to be sensical.

As a consequence characters fit snugly into their archetypes and never push against the boundaries of their mold. Takamatsu is a fearless leader throughout, always a symbol of hope. Other characters are introduced and remain one-dimensional–paper-cuts. But The Drifting Classroom is not a story about characters. The atmosphere is the protagonist, the stage that treats the humans which tread upon it as pawns in its game.

What begins as a tale of survival pushing against insanity becomes a story driven by curiosity. By the final volume of The Drifting Classroom I wasn’t sure if I was reading because it was entertaining or I needed to know the conclusion. “How will this end?” But I realized I read for the atmosphere, the sense that apocalypse could repeat on the following page.

The Drifting Classroom is well worth reading if you’re a fan of horror manga. While it doesn't have the tight narrative of The Enigma of Amigara Fault or surreal continuity of Uzumaki, it entertains while raising the question, “could you survive The Drifting Classroom’s absurd universe?”

I like horror manga; I generally always do. So it should come as no surprise that I avidly read works by Itou Junji and Kazuo Umezu (the latter of which I will be focusing on), two well-known masters at the horror genre. Works such as Orochi (by Kazuo Umezu) may have an “out-there” kind of premise but the way it seems so natural and tangibly believable is what really scares us. I mean, if the characters act in a similar way we would in a situation (and things go horribly wrong) then we can’t help but feel vulnerable to that fact. The reality of thehorror genre is this: generally, the more realistic it can be, the scarier. The Drifting Classroom (aka. Hyouryuu Kyoushitsu) is often Well does this necessarily make it a “masterpiece”? That certainly depends.

What is The Drifting Classroom? Other than being called the manga version of Lord Of The Flies (which I can wholeheartedly agree with) it’s an older manga created in 1972, was awarded the 20th General Shogakukan Award, and was serialized for two years before coming to a fairly unsatisfying end. It chronicles the life and adventures of an entire school that has been transported into the far, far future; a future where there is no vegetation, nor water...just sand. One student in particular, Sho Takamatsu, is who the manga focuses on, and the entire story is presented through his point of view. He is a sixth grade student and a fairly unreliable narrator (seeing as he rapidly changes personas; mature leader to a crying boy), and thus, this means this manga is presented through the eyes of a flawed child. Other characters in this manga include Saki, the “wife” of Sho (confusing, I understand, but I don’t know how to phrase this better; you will see what I mean later on in the manga) who is very conservative in her role, but is also a very strong girl, and Yuu, who is Sho’s adoptive “child” who has almost nothing to do with the main plot other than inconvenience Sho. There are several other minor characters (such as Otomo and Nishi), and there are many that opposes “Ralph’s” (Lord Of The Flies, again) or Sho’s authority, but events like that come and go for plot convince with different characters at different times. Overall, characterization was flimsy, for the most part (like most horror mangas), but I was surprisingly impressed with Saki’s character as a 6th grade mother figure in rough times. Setting, on the other hand, has an original premise with endless possibilities. What you don’t expect to happen in a barren world of sand DOES happen without much consequence because of the lack of things other than the school.

It’s said that The Drifting Classroom is a collection of things that scared Kazuo Umezu as a child. Whether or not this is actually true, I can agree with the statement that, yes, (because it is a shounen) it is filled with things that make boys scared. Giant centipedes, bleak darkness, aliens and mummies. If I was a kid I know I’d be scared shitless. But I’m not a kid, which then brings me to my next point: the story doesn't necessarily work well as a horror. Bottom line: it’s not realistic. Rather, it’s quite absurd and has zero logic concerning the nature of the setting and such. I’m not even sure to classify this as a “horror” even though there is blood and gore. It’s simply not that scary (and I’m really easy to scare!). I think a better classification of this manga should be adventure, thriller, and gore maybe because, although the horror genre has those within them generally, this manga does not instill terror or fear in the reader.

But that certainly doesn't mean it’s no good. In fact, I had so much fun reading this manga. Every so often when something different happened I turned my laptop screen around and showed my dad (who thought it was rather amusing I was reading something like this) the giant centipede or whatever new problem that arose. It takes a bit to get into, but sooner than you can even realize you’ll be on the last volume in no time. Yes it’s absurd, yes there is no logic in it, but it’s very creative and very unexpected. I mean, someone has to have a really special kind of thinking to make all of these plot twists interesting (keep in mind there’s only an elementary school and an unlimited amount of sand!). This is the 1970’s: it’s where all tropes and cliches are so raw and original because they haven’t been done before. Just turn off your brain for a bit because lots of things don’t make sense, but it’s OK because it’s fun either way.

Despite whatever criticisms I had with the unreasonable nature, it is good. Because it is told through the eyes of a child, it has the right to be irrational and a bit over the top. The elements in this story is the fears of child, and because of this, Sho and the rest of the students are able to survive and cope with this situation because of their imagination. But the manga’s final fault lies in the initial premise: how did the school get transported into the future, and why? How far into the future are they? Well the subways still work so that could give us a rough estimate I suppose. But what happened to make the Earth so sandy without vegetation? And why are there no humans in the future; what disaster happened to make it that way? None of these questions will be answered in the manga (and to top it all off you’ll get the most unsatisfying conclusion) so if you’re solely interested in the answers to those questions then I don’t think you should even start. Would I recommend it? Sure, I guess, if you’re looking for something interesting that I just described in the last three paragraphs. But otherwise, I’d tuck the title in the back of your head for some other night because this definitely shouldn't be at the top of your ‘plan to read’ list. It’s good, yes, but that’s just it. There are plenty of other great titles out there for you to enjoy. The Drifting Classroom gets a 7/10 from me.

(Oh yeah. And the art screams 70’s. That is all.)

★★★★★★★☆☆☆

Drifting Classroom is an quite amazing science fiction manga. It explores human nature during apocalyptical situations. Like many of the similar stories (The Walking Dead, etc.), the biggest enemies are humans rather than monsters. The science fiction aspect is not perfect, the explanation of a dynamite causing a space time disruption is quite weak. The art is from the 1970s, a little bit different from what we see today but still quite good. What the manga does best is the feeling of desperation. The atrocities committed by some of the characters are very believable based on the situation. Another aspect I really likedis the mother-son relationship which is quite touching and strong. In the end, the only hope for the surviving kids is caused by motherly love. In summary, this is an above-average science fiction, with a strong story and characters.

Well... that was a unique experience. It really feels like a horror version of "Lord of the Fireflies". One thing that I learned from this manga... Sakiko is too precious for this world. She's the Best Girl in this manga BY FAR. As well as the Best Character in extension. The story is quite good and bad at the same time. The story beats, the plot, was fine. But the execution and the pacing was kinda bad. It definitely didn't aged well. The premise was pretty unique (for the time) and the problems that was thrown at the main cast were good and kept the story interestingbecause of the mystery. But it really felt cheap because some of the plot threads were entirely dropped without really any explanations. I mean, it's a horror manga so some supernatural sh*t without explanation is something that we should expect. But my God, the amount of sh*t that happens "just because" kinda took me out of immersion. It really felt like things are happening for the shock value, and not because it's integral to the story. Like, some of the plot threads could be taken out and this would still go the same way as it ended without any problems.

The characters are not bad. They aren't great by any means. But there's one character that took me by surprised because of how much I loved her. Yes, Sakiko. She's pretty much the only reason why I continued reading despite the not-so-good story of the manga. The other main characters were very flawed but I also enjoyed them. Though Shou was on the edge of being a Gary Stu ngl. That's the only aspect where I kinda feel iffy about the characters. The other kids and adults were kinda boring and was just there to serve as shock factor for the readers, so they ain't good characters.

The art was solid. It serves its purpose of being scary and not being too overly gory. It certainly added to the experience because the art isn't gory for the sake of being gory. Well... most of the time lol.

Though I really think that the art aged poorly, I respect how the panels conveyed the situation and the severity of the events was in this manga.

Overall, it's a nice read if you turn off your brain. It's made in the 70's so this isn't suppose to be overly complicated and sh*t. It's made to question ourselves as the manga's message is pretty deep and there's a lot to dissect here that mirrors what is currently happening in our world.

Though even if the message and themes are deep, it doesn't excuse the poor execution of the story. Hence my score. I still recommend it though.

(5.75/10)

I heard some positive stuff about this manga, some calling it a classic, something I can only partially agree with. Given the time period that it came out in I think I can acknowledge why. This manga has some strong and weak points, of which I think the latter outweighs the former. Story: It started off decent enough, and of course this is sadly where most of the rational thoughts were found. I personally believe the author came up with only the beginning of the story and made things up as they went along. This is somewhat understandable considering how it was released but this contributedto it being very episodic. Hardly anything could transpire without the next "arc" closely following along sometimes a literal second after the last one ended.

I rate this aspect poorly. Lots of things that happen are very convenient, too much so and others that plain are inconsistent or do not make any sense.

A short list: remembering later on there is more food and water right next to them, getting hit and later hit again to lose and gain memory, time travel contradictions, ... A bit more specific....how do gradeschoolers, max 6th grade now how to construct a giant death trap out of wood and spikes and the like and where did the tools and equipment come from for it? Why would that "girl gang leader" leave in one volume and return volumes later to leave them a dying message that leads them to a place that isn't as advertised? (to mess with them? Why would she make the trip, risking her life for it?). Why is land around them so close and yet so far so that they never find stuff when convenient or early on? Why only introduce cannibalism at the end and have none of them think anything of it? Why would they suddenly adopt the MC's art project of his mother and agree to acknowledge it as their deity? Why give those creatures the backstory of having come from humans and have them being a powerful danger and then not do anything, have them go away immediately after they're established as a threat? etc. etc. etc. 3.

Art: Taking into consideration the creatures and assorted threats, its not bad. In fact its really detailed. Characters portray emotions decently enough, although you get tired of seeing the same shocked and sad faces.....7

Character: The characters are this manga's last chance it seems but in the end fails to save it. The characters behave in a terribly stupid way. One of my greatest annoyances is when the MC's "best friend" would always throw around the idea of killing their threats and they would always fight..."We can't do that!!.... Friend response: >:(---> hm okay :/. Rinse, repeat. The failure for the children to get home because the MC's love interest wants to stay in their terrible present because if they manage to get home he won't pay her attention anymore...just behave like you normally would be in the better world..., that he likes some other girl instead of her. He shows no romantic interest however... and if he does it was only towards the beginning and it was very minimal and not indicative of anything major.. It was to you anyways, he clearly does not love that other girl, only for survival purposes....etc. etc. The majority of the characters fall flat, serve as meat shields or are simply not memorable enough. 3

Enjoyment: It was (I believe) 8 long volumes of wacky, nonsensical adventures. The annoyances I collected from my prior descriptions... only increased in number as I went on. I didn't have an agonizing time but I most certainly did not have a great one. 5.

Overall 5

I am a huge horror fan--movies, manga, anime, TV shows, you name it. I am personally a huge gore fan though, I love the true horror, gore-filled, gross type of depiction in a show haha... but this is definitely for those who do not want to see all the blood or gore, this is a timeless horror classic that's not overly gross or gory by no means, almost any age could read it. So if you don't want a "scare" but want to read some horror, this is definitely for you. At least try out some chapters if anything, and I say chapterS because itis a bit slow starting in my opinion.

I'm glad I read it. And they are beautiful on the shelf! I'll break this review into pieces. The kids are kids...he's pretty true to that. a lot of crying and trying to be tough. It's a thing. The adults are maniacs. Actually some kids too. When people get an idea about (spoiler free) eating someone's face off you are about a page turn away from seeing it happen. The art is good. Scary. It's not a book of "why" but "how will we survive". Be ok with that if you're going to read it. My FAVORITE part...is the resource management. I'm not sure if that's apart of comics or manga but man...this and TWD? I'm like "yes, daddy! Tell me about the corn reserves!!!"

I don't know why. But it was neat seeing what inspired so many books I've read in the last decade without realizing this was the grand pappy of them all.

The Drifting Classroom makes the purest and most innocent of creatures, children, face otherwordly threats that would drive most adults insane, struggling to mantain a unite front and not panic, creating a really special unsettling horror that blends fear with pity. Although towards the end the fantastical nature of the threats becomes so bizarre and wacky that it gets almost comical and the mood suffers greatly because of it, just as the tension is significantly diminished due to the fact that the kids dying are more often than not nameless kids, whereas the main ones are almost all protected by a very thick plot armor.Still, Kazuo Umezu takes the time to fully commit to the setting, depicting in exquisitely dreadful detail how such a nightmarish situation would take a toll on the children's mental state, pushing many of them to commit heinous and deranged acts, with a story pacing that would be optimal if it wasn't for a couple of tedious, unnecessary sequences. The psychological realism of the kids' struggles and conflicts is mixed with the extremely unrealistic and fantastical nature of the threats that the children will have to face and their moving, unwavering hope to make it out alive despite it all to create a unique, mesmerizing disturbing mood that is truly something special. All of this exceptionally elevated by Umezu's iconic otherwordly artstyle, giving this odyssey the feel of a distant nightmare.

I started reading Drifting Classroom because it was recommended at the end of a book by an author I really liked. I don't remember which book but it was likely Junji Ito's. So, Imagine Lord of the Flies but it's a whole school from 1st to 6th grade. Do you know how understaffed a normal school is to deal with this? You got around what, an adult for each 20-30 kids? It's insane! The adults are powerless. And it's even more fucked up to read when you have a good friend who is a teacher himself. Anyway the plot in this series is really wild and doesn'tmake that much sense, but you're kept glued to the page because this feels like watching a train wreck happen. There's always more messed up stuff happening around the corner. And the insane plot actually becomes quite amusing.

I love “Lord of the Flies” style narratives. A group of kids transported into what seems nothing like our world. The what, the when, and how the world reacts to it. Along these narratives, we slowly unravel the dangers of this new environment, the rules, and just when we actually understand it, it usually ends. It's a formula, and here we revolve around the critique on people. Rationality ends lives, and being able to make sense of your world, sometimes doesn't allow for anything new to get in. Chaos, murder, and the sad knowledge that children are in a horrible situation, and for being a 70smanga, it didn't relent at all.

If we go in terms of story, I enjoyed most of it. The way it's drawn childishly contrasts so horribly with the reality of the situation. These kids have to discover the root of this new world, how it works, and how to battle the concepts of a working society while being horribly murdered by it. Sickness, lack of resources, disagreements, the knowledge that every adult can go insane if put in a situation of power, as well as any kid, and something else lurking in the world. Presented with a very active protagonist that isn't the smartest, but he's the shining beacon of trying your best, even to the detriment of those around you.

Our protagonist is one that evolves from the very beginning, all the way to the bitter end. The people around him are many, and most of them blend into the background, or are horribly killed, which heightened the stakes. We experience death ALL the time. There isn't a series of chapters that doesn't depict how horrible this world is, as well as the sacrifices kids have to do to control a situation. Panic occurs at every single episode. Every moment is all about how nobody is in control, and how small villains appear from time to time as more problems come around. Villains range from okay, to pretty good, not being a single one I didn't hate appropriately, and there were characters I hated, but others that are very logical and well written. I don't have anger towards how the characters were written, more so with this world's concept.

As a concept, there wasn't any proper establishing rules that seemed perfectly logical. It went through the route of sci-fi, and horror fantasy, without committing to any of them. Could be a plus in terms of mystery, but even as was explained, we needed more consistency. Maybe a little detrimental. Lastly, even if it's very well written, the dialogue and some reactions from characters is extremely outdated. Rules are absolute bullshit sometimes, including plot armor that occurs in the most obtuse ways imaginable. It legitimately caused me to stop reading for some time.

Overall, it's a great manga that contains amazing art for its time, but feels dated in terms of character expressions. It goes to pretty disturbing levels, and sports horrible situations in a panic attack style of narrative that doesn't let go, even if the plot armor helps the protagonist way too much for my liking. The rules are unclear, and the situations feel extremely random for the sake of padding. The story could've ended way earlier than it did, and worked just as much. Some horror was slightly bad, and other times it felt pretty eerie. Very solid 7/10.

If you want a horror manga that's closer to the traditional horror genre (Sci-fi alien looking creatures, giant bugs, old minded societal views...), or a horror manga that gives you a pretty unique story, then you should check it out. OR if you want a manga that shows adults beating the absolute sh*t out of children, then you def need to read it, I found it very funny. Don't expect a fancy story, nor great characters, or impressive plot twists. But for what it had, and the way the main event's explanation was put, I think it was great. The main characters are children who haveto become adults much earlier than planned. You learn along with them that their true enemies' was themselves (and adults, gosh I've never seen adults being portrayed as such in any other manga!).

What this manga also does is tackling themes of pollution, ecological crisis, and capitalism in general, and I think it does it nicely.

Finally, the manga's artstyle is reminiscent of the older mangas, but the way horror is portrayed is absolutely amazing (especially from the character's faces, I swear they looked extremely horrifying sometimes).

So, I think you should read this, for whichever reason you want.

8/10 (more like 7.5)

Iconic for 70's horror manga. Being only 42 chapters this is something you can read in a day or two, and I recommend that you do. Drifting Classroom does/creates some genre staples while not being overly confusing. The themes are obvious as man fights itself, nature, starvation, loneliness. You see children grow up and go through a lot in this manga. The horror comes from a bit of body gore, a bit of psychological dread, some terrifying monsters, and ultimately being taken from home against their will. Before reading I saw on reddit people not liking the ending of this one, however it all added upin the end. Mostly everything was addressed and wrapped up nicely to be conclusive.

Give it a go