Reviews for Itou Junji Kyoufu Manga Collection 16: Frankenstein

The main reason I'm writing this review is because in the majority of the reviews I've seen, no one has read the original book. This is also my first Junji Ito work that I've ever read, so I can initially say that the art style is incredible. Ito's artwork is captivating and complicated, and it really adds to the story of Frankenstein. That said, it does a good job of summarizing the first half of the book, but then the second half starts to change somewhat significantly. I found Ito's ending just as enjoyable as Shelley's, so I wouldn't say this is a bad thing.The only major flaw is it's length. This adaptation is very much a summary, and the monster's true development is completely neglected. We pretty much only see him as the monster that everyone believes him to be, when he is just a lonely child. Although maybe I'm biased because I'm a monster sympathiser. Nevertheless, I think this adaptation is really enjoyable if you have read Shelley's original book, since you will probably understand the messages and characters of the story a lot better.

Story: Frankenstein was one of the first books I ever tried reading. So, picture a young turtle in Second grade trying to read a horrific and philosophical narrative (let alone reading it in the car out loud. I remember this memory very vividly!) Suffice to say, I only remember THAT memory of Frankenstein and not much else. That said, I have such a strange affinity for this sort of horror, the 'ancient' tech of the 1700's. The idea of anyone being able to revive a body is so otherworldly to think about when we live in a world where tech seems so advanced, yet even nowwe struggle to comprehend the idea of life and how it's created. So, that ever-pervasive question paired with the elements of horror within Frankenstein make for an interesting story. But, is it told well?

I think so. I think Junji Ito does a great job of telling Frankenstein in manga form, and I would say that his vision of Frankenstein's monster is now my go-to for the standard look, despite the classic Boris Karloff look being so iconic, so intimidating, and just downright petrifying. I'd say these are both neck and neck, where Boris Karloff brings out the overpowering nature and fear of creating something so strong, so powerful that even the creator himself cannot stop it from wreaking havoc. Meanwhile, Ito shows off the disgusting nature of reviving a dead body built from multiple corpses. And, while there's always potential for translation to fall short, I felt the dialogue helped in creating an incredible tension between creature and creator in Ito's Frankenstein.

But, as a horror, is this narrative scary? I don't think it's scary in the sense that I was afraid to turn the page, but the very narrative itself is grotesque, horrid, and downright grimy. The setting, the subject matter, the existential conflict, everything is set so well. Of course, that's not Ito's doing, that's Mary Shelley's doing, but Ito does a fantastic job translating her narrative to manga form. Any fan of his work, or fan of Frankenstein, should definitely check this out.

Art:

As Ito grows, so does his artwork. The level of detail here is as disgusting as it is mesmerizing. His distinct character design paired with brilliant 'animation' adds for an immersive read, and I can't stress that enough. He has a tasteful way of making the most horrid things seem pleasing, even appetizing, I daresay. It's crazy. The guys crazy.

Character:

Really great characters, although I feel this is the weakest part. Since this is only one volume, things move really fast. If there was slightly better pacing in character motives and stuff, I think I would have enjoyed this a little more, but I still feel things go about as well as they could have. Still great, nonetheless.

Enjoyment:

Super enjoyable. Just a fun story, no matter how it's told. I can see why this story has held so long, it translates mediums so well. Near flawless. Although, I'm sure that also has to do with who adapts it, and this particular adaption is very good.

As for the other 2 chapters, very short, and they show off the artistic talent of Ito as both a horror mangaka and comedian. Don't pass up anything in this volume.

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My first time reading this was probably 10 years ago now, Junji Itou's Frankenstein left a profound impact on me; but this review will be of my most recent reading of it, about 10 minutes ago. At the time, I hadn't yet read Mary Shelley's Frankenstein, and admittedly now I can see that it does fall in the shadow of the original piece. That isn't to say this is bad, in fact, of all mediums I've experienced thus far this is perhaps the best adaptation/retelling. The spotlight of this adaptation, and unsurprisingly so for an Itou piece, is the spectacular art and design choices. No longermust Frankenstein's Monster be cast as a big dumb brute, but of a truly hideous decaying monster just as Mary Shelley had originally dreamed up. Artistically alone this is a 10/10, but it does have its shortcomings storywise. Its short page count (although much longer than Itou's typical short story) doesn't offer enough time to represent the Monster's careful sophistication, still a vast improvement over "scary big guy" in most works, but this Monster just comes off as a vaguely intelligent beast, ruled by emotion.

Though his monstrous appearance may have obscured anything human about him, it'd be impossible to not see his humanity in the end. It's been 10 years since I've read it, and it's still a powerful piece.

Frankenstein has always been one of my favourite stories of any medium - I know, kind of ironic considering, I still haven't finished the original book by Mary Shelley. Then again, just like the titular character, who wouldn't have things some other person's or force's way, I saw the films, read and researched on things and somehow patched together a plot summary of my own over the years. The general idea of the story was always really compelling to me: a man wanting to surpass god, as well as the sympathetic attempts of the monster, who was shunned out of society for being different alwaysspoke to me on a personal level, so the first moment I noticed on Book Depository, that an english translation of Junji Ito's Frankenstein manga was available, I immediately grabbed my credit card and ordered it.

So what's there to say about Ito's Frankenstein?

Well for starters it's Frankenstein alright. Ito took minimal freedom in re-telling the Frankenstein story. You can go step by step through the Wikipedia article on Shelley's Frankenstein and it'll match up 90% of the time.

If you're not familiar with the classic novel, the story is about Victor Frankenstein, who inspired by alchemy throughout his childhood sets out to create life, where there is none. Blinded by ambition, he eventually finds himself succeeding, but creating a creature too repulsive to let out walking in the sunlight alone. The story, that's often considered a horror classic, ultimately diverts into a double character-drama; one, who is guilt-tripping over the pandora's box he just opnened and another, who being the content of said box, is struggling to find his place in a world, that clearly doesn't welcome him.

Like I said, the story mostly aligns with the original Shelley novel, however diverts in some places. Most notably the climax; Ito seemingly took more inspiration from the 1932's Bride of Frankenstein movie rather than the source material. Thinking things through I doubt, that effectively benefited the story or characters, but it doesn't really ruin them or take the overall narrative in a different direction.

Given those minor changes and probably some details the artist couldn't bring onto just 200 pages of comic panels, Ito still does a pretty good job at adapting the story. The story is still coherent and the two lead characters are pretty decently presented - even if I do find, there was a bit of that lacking.

Artwork was good, but I did feel like the author was page-limited to a degree, where panels just weren't placed as strategically as they could be. Take the first facial reveal of the monster we see. The art is good, but the full reveal is on an uneven page number. You turn the page and get this build-up of the monster getting up, but the suspense gets lost, when the facial reveal is right there to the right. In the manga's defense, I'm not sure whether this is just a flaw of the edition I bought or whether it was in every printing of the manga.

Another thing on the artwork. Every panel with the monster looks pretty detailed and good, but it is giving me vibes, that Ito's interpretation of the monster is cosmetically very derivative of his otherwise recurring Fashion Model character of his short stories.

So to summarize: it's a fine book and I'm sure glad Ito had interest in re-adapting a favourite story of mine into a different medium. It's faithful to the source material, so if you're only familiar with the general idea of Frankenstein, but want to know the original story and are not much of a novel reader and more into manga/comics than this is quite the recommendation for you. On the other hand Ito doesn't do much to make the story his own, even the schocker artwork is mostly derivative of his other work, so he isn't pushing himself to new levels with this book either. It's a good read, but there are probably better ways to experience Frankenstein and Ito.

6/10

Frankenstein – Spoiler Free – Recommended TLDR Story – 7/10 – 7 x 0.275 = 1,925 Art – 8/10 – 8 x 0.2 = 1,6 Characters – 6/10 – 6 x 0.225 = 1,35 Enjoyment – 5/10 – 5 x 0.3 = 1,5 Total: 6,375 -> 6 Disclaimer This review will only cover the Frankenstein story, as many compilations have more than just the aforementioned story. In this case, not all the additional tales that MAL indicates – The Hell of the Doll Funeral and Memories of Real Poop – are present in the edition I own (the second one is absent). Moreover, Frankenstein, by its size, deserves to have a proper reviewconducted without other short stories in the mixture.

Story – 7/10

The story is an interesting take on Mary Shelley’s original story of Frankenstein. It follows the troubles of Victor Frankenstein, creator of the Frankenstein – an artificial human being created from the corpses of dead people and resurrected through intensive research in Germany. The story deals with being human, loneliness, “playing God”, mortality and the need for company. It has almost, from a certain point onwards near the end, an element of terror: we never know if divine judgment will fall upon Victor. Other than this, the execution is of great quality and makes Frankenstein a work that is easily accessible to the broader Otaku public.

Art – 8/10

The art is typical for a Junji Ito adaptation. The cadence of the panels is also well done, making the story easy to follow. The monsters are “monsterish” enough to be believable, and one can easily associate a created image of Frankenstein with the characters that Junji Ito drew.

Characters – 6/10

The characters are simple and humane and fulfil their purpose. There isn’t, naturally, that much development in a 180 pages long adaptation. Other than Victor and Frankenstein, the rest of the characters are just there to fill the cast. The interactions between the two main characters are the only thing that matters for the story.

Enjoyment – 5/10

The Enjoyment is nothing stellar; it is just a good adaptation of a good story. It is simple and not over the top. For its simplicity, it deserves a non-enthusiastic recommendation.

Damn son, I nearly got teary there at the ending like never I would think I’d nearly cry at a Junji Ito series in my life! It tells a man who created the famous beloved monster himself, Frankenstein and he’s basically yeeted away from him so he doesn’t get caught on a ship. However he becomes sick and tells his story to the captain who saved him. I really liked the buildup on the story like it is intense enough that you don’t know who dies or who survives. Definitely read this folks, it’s just super good for your horror genre collection!

Na minha fala vou focar na principal história sendo do Frankenstein e o monstro do que os focos narrativos que surgem para complementar a obra. A história feita por Junji Itou mostra um pessoa que ve o mundo de uma maneira bonita e bastante curiosa com coisas diversas sendo apresentado para nos com uma criança que se aventura e se diverte bastante com Henry que se torna o braço direito e Elizabeth que futuramente seria sua esposa. Nisso voltamos a criança que gosta de se ver em locais diferentes até conhecer a alquimia na sua vida que assim o torna fascinado por controle e mais controleaté que em um jantar sua vontade por controle se torna um combustível maior onde a ciência o impulsiona mais com uma descoberta de possível volta a vida de uma rã com eletricidade e nisso sua vida se torna descobrir qual é esse segredo e no processo vemos que o custo de ter o controle de criar a vida é perder a vida onde não se comunica mais com nenhum membro de sua família começa a ficar anêmico além de no final não ter controle sobre sua criação e ficando a mercê de obedecer sua cria que se tornar a criatura dominante da relação de criador e cria. Nessa de subversão de papeis é muito interessante o processo gradativo que o Monstro vai tendo a se tornar bom e voltar a ter ódio por não ter o que mais queria amor e no final ele conseguiu a atenção de uma pessoa o seu criador que foi atormentado e machucado pela criatura e nessa de machucar vemos que a criatura amava seu criador. O melhor é como Junji Itou vai desenhando quadros horrendos com uma monstruosidade sendo exaltada e essa maneira calma de ir falando da relação de cada vai te deixando cativado mesmo que as vezes acredito demorar muito e ser meio forçado algumas coisa funciona o que ele propõe.

It was my first time experiencing the classic story of Frankenstein, and I was always tempted to jump in the world of Junji Ito. I think this is a great preview of how much of a great mangaka Ito is. But the story of Frankenstein itself is not my cup of tea even though he wrote it so beautifully. Since this is an adaptation, the story and its tone wasn't chosen by the author itself. The art is just incredible. The second half of the story, where the Monster wants a wife is the best and where Ito's grotesque art is at its best. He reallyknows how to write and draw eerie stories and characters.