Reviews for Yokohama Kaidashi Kikou

Yokohama Kaidashi Kikou (abbreviated to YKK outside Japan) is an example of the proverbial “diamond in the coal mine”. Written and drawn by Ashinano Hitoshi, the manga was serialized in Kodansha's [b]Afternoon[/b] magazine for almost 12 years, and has gathered a number of devoted fans around the world despite the lack of licensed English translations. This comes as no surprise since it is one of the few series which deserves to be treated as a works of literature rather than of pop culture. YKK is a testament to the true potential of manga and the series is recognized as such, having been deemed worthy ofAfternoon magazine's Four Seasons Award for debut works as well as the 2007 Seiun Award for Best Science Fiction Manga.

[b]Story (9.7) & Characters (10)[/b]

YKK is a science fiction story as it is set in a future after an unspecified large-scale disaster and the main character, Alpha Hatsuseno, is a robot who looks human. However, this is where any similarity to "regular" sci-fi ends. There are no spaceships, lasers, or mecha of any sort. Instead, older technology such as scooters, radios, propeller-driven aircrafts and the like, are very much still in use. This is reflective of the rural lifestyle that humanity has adopted in the story and adds to the easygoing pace of the manga. This tranquil, almost bittersweet feeling is reflected in the art style, the characters, and even the manner in which the story is delivered.

The story is told mainly from the perspective of Alpha Hatsuseno as she meets old friends, makes new ones, and casually explores the world around her. The most unusual fact about Alpha is that she isn't human, but a type A7M2 robot who looks human and is capable of feeling emotions. The story begins with Alpha taking a trip to Yokohama to buy coffee beans. She has been alone for some time as she waits for her "owner" to return from wherever he has disappeared to and, being immortal, she has decided that she can wait as long as it takes. In the meantime, she runs Café Alpha, a small coffee shop in the middle of nowhere which her owner left in her care.

Besides Alpha, several other characters also appear throughout the series. Some are shown regularly like Oji-san and his grandson Takahiro who run the gas station near the café. Others turn up less frequently such as the anonymous café customer and the mysterious Misago, an ageless wild woman who only appears before children. Next to Alpha, the other most prominently featured character is Kokone Takatsu, a type A7M3 robot. Kokone is effectively Alpha’s younger sister (production-wise that is), and as their friendship grows, she begins to develop romantic feelings for Alpha which later stir her curiosity about the history and nature of the A7 series.

Although the other characters do not enjoy as much exposure as Alpha does, several are given sufficient development to be memorable in their own right and their experiences serve as important reference points that highlight the passage of time. Through them, the reader is shown the great expanse of the story spanning the landscape and the era.

One of the most notable achievements of YKK is the manner in which the characters enhance each other throughout the series, and how Alpha gains a new perspective on life through her encounters with them. The interactions between the characters are often laconic and unhurried. Because of this, each encounter gains a languid, almost dreamlike quality that is far more memorable than what can be found in many other slice of life manga.

[b]Art (9.7)[/b]

The art in YKK contributes greatly to the relaxed atmosphere of the manga. Ashinano’s style is evocative of the simple yet fantastic nature of the world. In several parts of the manga, commonplace scenes are given an ethereal quality. This, together with the character designs and Ashinano’s unusual use of blank space, gives the art style a surreal characteristic that at times appears almost paradoxical. As with any long running series, the art style has evolved and improved over time.

Ashinano Hitoshi's character designs are perplexingly both spare and meticulous. Each character’s face is basic yet highly expressive; a stark contrast to their elegantly elaborate clothing and accoutrements. This unusual style is further enhanced by the picturesque backdrops and settings which the characters find themselves in. In addition to this, Ashinano has made wonderful use of blank space to emphasize the amount of detail in the characters and settings, something which is more prominently highlighted in the beautiful colored illustrations and panels that appear in the manga. This style of artwork focuses not only on the locations, but on the characters themselves and serves to enhance the reader's empathy towards each character.

From the most beautiful parts of nature to fantastic creations of Ashinano’s imagination (giant sunflowers, underwater streetlights, water gods, kamas, and many other wonders that Alpha discovers), each object and location in YKK helps to transport the reader more deeply into Alpha’s world. Not only is it easy to understand what she is feeling about her surroundings from the art alone, but the simple beauty serves as a way of deeply understanding not only the intricacies of her world, but of ours as well.

[b]Enjoyment (10)[/b]

Many readers have hailed YKK as the epitome of the slice of life genre and, given the premise, this may be no exaggeration. The series makes exceptional use of “mono no aware” (a Japanese term used to express the awareness of the transient nature of things, and the bittersweet sadness at their passing), and the time period in which the story is set makes the use of this especially poignant. In Alpha's words "It looks like the twilight of this age has quietly arrived. I think I'll be around 'til these twilight years end."

Reading YKK is without doubt one of the most unique and wonderful experiences in manga. Each chapter is filled with a calm, inviting feeling that pulls the reader into the story like a lucid dream. Alpha is without doubt one of the most engaging characters ever created, combining childlike innocence with reflective maturity. The story is remarkable in both its simplicity and its complexity as the reader is taken on a journey of discovery about themselves, the world around them, and the transient nature of things, whilst the art perfectly resonates with both of these elements to produce an atmosphere like no other.

Melancholy yet hopeful, exciting yet wistful, joyful yet sad, YKK is a singular achievement in manga that is deserving of the title "Masterpiece", and should be afforded a place amongst the great works of modern literature.

[b]OVERALL - 10[/b]

This review is the final result of a review team composed of members from the [b]"Critics and Connoisseurs"[/b] club. The team members were:

[b]Anomalous[/b] - writer and editor

[b]Archaeon[/b] - writer and editor

[b]Yuunagi[/b] - writer and editor

Here are their individual scorings for the Manga:

Category - Anomalous, Archaeon, Yuunagi

Story - 9, 10, 10

Art - 10, 10, 9

Character - 10, 10, 10

Enjoyment - 10, 10, 10

Overall - 10, 10, 10

[b]In the club wide poll held for Yokohama Kaidashi Kikou it received an average overall rating of 8.83[/b]

"This gentle calm and quiet is the twilight of an era. I will probably watch the passing of this twilight age." Content: The stories featured in YKK are mostly light and melancholy. Readers who are used to action, sex, fanservice, violence, and/or intense drama would either be A) disappointed, or B) surprised that stories without the said elements could possibly exist and still be enjoyable. YKK is characterized by mono no aware, a Japanese concept that describes beauty as an awareness of the transience of all things, and a gentle sadness at their passing. Entertaining old customers in a coffee shop, riding through desolate roads on a scooter, reminiscingwhile watching the sun set; none of these are close to being earth-shattering and yet the author somehow presents ordinary scenes in such a way that they evoke overwhelming feelings of nostalgia. Being reminded that today will be tomorrow’s yesterday, one cannot help but appreciate the present for its fleeting existence.

Literary Style:

Ashinano’s style of writing is radically different from that of other mangaka. Rather than using the typical cliches and standards of comics and animation, the author’s style is more similar to those used by writers of literary novels and short stories. Using motifs and details to imply themes, skillfully combining images of everyday life with colloquial monologues and dialogues to produce visual and verbal poetry, it is obvious that, while YKK is appropriate for readers of all ages, it requires a mature and understanding reader to fully appreciate this work of art.

In fact, his method of implying themes through details might remind some of J. D. Salinger’s The Catcher in the Rye. The characters, the plot, and the details don’t just represent themselves as components of a work of fiction, they reflect the reality of everyday living. The characters act naturally and events unfold as they would in real life: without fanfare. This makes it easier for the readers to relate with the characters and believe in them. As the characters develop, the reader may also find their revelations relevant to his/her own life. In a sense, Yokohama Kaidashi Kikou may in fact be one of the few titles which are actually worthy of being called “graphic novels”.

Visuals:

Ashinano’s character designs are simple yet charming. The faces of the characters are very expressive, effectively bringing out the characters’ moods and personalities. As one goes through the volumes, it’s also quite interesting to see how Ashinano’s style had improved through the years (the series ran for 12 years, after all).

What really makes his art stand out, however, is his awesome ability illustrate the setting in fine detail. Gusts of wind sweep across vast fields of grass, the lights of a submerged city continue to glow beneath the ocean waves, roads and towns once bustling with life now stand derelict and abandoned; the scenes often invoke feelings of nostalgia as if the writer and the readers had been there themselves. Later on in the series, Ashinano starts using more and more of these images to enforce or sometimes even replace the dialogue to deliver his message to the audience.

Overall:

Well, it looks like it’s all downhill from this point on for anime/manga because I don’t think I’ll ever find anything close to being as good as this series. Sure, I’ll probably stumble over a few other well-written stories out there, but I really doubt it if they would be as emotional and as thought provoking as Yokohama Kaidashi Kikou.

As the sea assaults continents, slowly but surely, humanity is declining. Telecommunication is no more. Government gave way to local organisation. Quietly witnessing this apocalypse unfold, humans are living peacefully. Among the many ways fiction depicts apocalypse, "peacefully" is uncommon. We like to think of the world ending in brutal, dramatic and lightning fast ways. Of humans against their fate struggling. But the end of the world in this manga is gradual, slow enough to give mankind the time to accept his fate, sit back, and enjoy the last hour of his age. Whatever will be will be – the die is long cast. So unfolds thetwilight of a transient humanity. And our little humans get many occasions to experience the transience of things – the transience of the world and that of themselves. Time and again, the beautiful melancholy of the dying world touches and overwhelms. The story unfolds at roughly the same pace as its monthly publication; we follow the characters as time passes, and as the curtain falls on the remnants of the world. The sea rises, and the landscapes that were dear to us disappear like smoke in the air. The machines that once served mankind meet their end too: aeroplanes, or engines, are for their last time used. Characters pass away during the series, but death is a fact of life that the living have accepted. As such, death is merely implied, and mourning but hinted at. Such is, among other understated occurrences of drama, what makes Yokohama Kaidashi Kikou a wonderful experience: the lament of its dying world, quiet yet staggering.

I think YKK is a story about a people that lost so much that it stopped taking anything for granted and started cherishing the things it has left. And, with its masterful art, atmosphere, and writing, it makes you cherish them too. It makes you cherish life, the characters' things, your own things. Here's a quote from the manga to illustrate my argument: "There isn't as much difference between the seasons as there used to be; however, I think we take greater pleasure in those differences." One common translation of "mono no aware", the manga's driving force, is "sensitivity to things". More precisely, the contemplation of things' impermanence and how it amplifies their beauty.

But YKK isn't only about treasuring what the characters have. It's about losing some of it, too. The characters' everyday life slowly changes, falters and disappears as the slow apocalypse has its way with humanity. And it's okay. The characters already accepted it, because "acknowledgement of the transience of things makes them more beautiful". Because of this peculiar way YKK handles tragedy, the dramatic parts (as well as the blissful ones) are extremely understated. And it makes them all the more powerful – even if it means that more attention and sensitivity is demanded from the reader.

Moments such as two characters' reunion after a long journey convey strong feelings like melancholy, surprise, and happiness. These moments are often handled without words, using panelling, faces and body language to convey feelings. In the saddest moments of the series, very little of Alpha's thoughts is given, trusting the readers to know our main character well enough to empathise with her sorrow, and form their own reaction to the happenings, finding their place in Alpha's journey.

The art is exceptional. Inanimate scenes are like poetry in motion. Alpha loses herself in many sumptuous landscapes, inviting the reader to follow suit. From the still functional lights of a submerged city to the view of Mount Fuji in the distance, mundane situations are made extraordinary and extraordinary ones are made otherworldly. Up the author's sleeve are countless tricks to heighten this experience; one such trick is the sparse, but wise use of colour. For example, one chapter shows Alpha enjoying a nostalgic view, and as day turns into dusk the varying colours make obvious – and beautiful – that a large amount of time passes throughout the panels.

As the characters grow, their design changes. By contrast, Alpha is an android and she doesn't change – the regular realisation that time passed before her knowing is never short of melancholy. Although stylised in design, human characters are clearly of Asian heritage. The inhabitants have black hair and share many features. The androids, thereby, stand out; their outlandish looks become a central part of their characterisation. Often replacing thoughts and speech, the characters' faces are expressive (save for Ojisan's sometimes all too subtle expression changes); anatomy is rendered in a detailed enough style to permit realistic and convincing body language.

Over the years, Yokohama Kaidashi Kikou has enjoyed a small, but very enthusiastic fanbase which I am proud to be part of. It ranks among the most gratifying and memorable stories. For a great number of reasons of which a single review couldn't make a comprehensive list, I enjoyed this manga tremendously and I sincerely believe that you will.

As the sea assaults continents, as governments and telecommunications die out, humanity is declining. Before Alpha's eyes, the world, which once seemed tireless, slowly calmed down...

"The festival like world, had slowly settled to a leisurely pace. To think that an era... came to its twilight so pleasantly. I think i will continue... watching this twilight world...as long as time flows". Nothing remains motionless; all - whether quickly or quietly - moving, mutating, turning, hesitating between being and non-being. The world is conceived as a single stream, eternal emergence and disappearance: some things go away, others come; some blossom, others wither and dry up; some become stronger, others weaken; The wet dries, the dry moistens; some things are created, formed, others are destroyed. Formed with time again transformed. Everything gradually passes from onestate to another. Appearance and disappearance, life and death, birth and death - being and non-being constantly pass into each other. Change, origin, disappearance is an endless process of transition from non-existence to being and vice versa: something that does not exists - begins to exist or disappears what it was. Everywhere birth and everywhere death.

So, Yokohama Kaidashi Kikou - popular manga in Japan and abroad, written by Hitoshi Ashinano.

Format:

Manga written in a laconic style that allows you to take it to the works of literature. In some chapters completely absent dialogues, and the feelings and the atmosphere transmitted only by graphically. And this is one of the basic qualities and features of manga. Melancholically and succinctly, this original style quickly hypnotizes the reader, plunging it into this amazing world.

Story:

The story takes place in the distant future after an unknown disaster. The main character - woman-robot Alpha, which looks exactly like a human. She lives in a small cafe, in which waiting for the "host".

Yokohama Kaidashi Kikou - is several interconnected stories that describe the world of Alpha. Humanity has reached unprecedented heights in the science and technology, but the cutting-edge of the city is gradually overgrown with grass and go under water. Motorways are filled with sand and crumbling. Sunset of humanity...

The author very skillfully portrays the charm in sad things, through the protagonist, It shows something that people usually do not pay attention. Alpha is a kind of a window for readers in this "era of twilights".

Characters:

So, story telling on behalf of Alpha, throughout his life, she meets other characters who, in turn, give her a new look at the world. The main thing is pay attention is how well the characters interact with each other, that is, they paid a lot of attention, such as Takahiro and Matsuki does grow up before our eyes. I can not call no one manga, where the characters revealed so well. This difficult to convey in words, how brilliant this idea, author shows the Alpha, as an immortal robot, thus creates a perfect environment for the disclosure of the other characters. Alpha - never gets old, but the surrounding people are gradually changing, this is the whole essence of the drama and melancholy, Alpha (and the reader) will see how things will change, all begins to fade, earlier civilized and noisy life.

Art and style:

Art is made at a very high level, although it may have drawbacks, namely in faces characters, but environment shown is very beautiful. From the first chapter of the manga, the first thing you notice - this is the beauty of the environment, some episodes are striking rendering quality and landscapes force to admire them for hours. Sometimes, even the simplest landscapes beckon his post-apocalyptic style, it is causing a lot of interest to details.

As for style, it stands out separately. YKK has its own invented by author the art style. Here we see the old technology, radio, gas stations, fields, all this gives tranquility and relaxation while reading. Soothing, unhurried, sometimes bitter pace of storytelling give set of different emotions in the soul. Style largely corresponds to the relaxed atmosphere. Certainly this is one of those things by which this work can be considered a true masterpiece.

Overall:

The conclusion to this series is very subtle moment, since it is not easy to mention all great aspects of such a large work (manga was published 12 years).

In summary, YKK does not belong to any genre to which it refers, but ideally show their best advantages. I think that is hardly possible to find such a deep and thoughtful stories related in one, except in Yokohama Kaidashi Kikou.

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Look around you ... feel all this life that around you. Think about the change of seasons and look again at the sky filled with ever-changing clouds. Understand that all exists independently from you and not for you, but with you. Try to least once in life, believe in what you have lived and will live forever - as part of this ever-evolving world. Should we be afraid of death, if the world will not end out with you?

The joy of existence - is not the main goal in life? A method and measure, you choose for yourself...

I was shocked and disappointed after I decided to pick YKK up after checking it had nothing but 10 reviews. So here comes a balancing effect, observations of one of the few who do not consider it a masterpiece. This manga is a lot like some children's TV program about "what the Teddy Bear did today". Sure it's "pleasant" to read but that's about where it's good aspects end. There doesn't seem to be any kind of real continuing story, except "life, which goes on" which hardly is sufficient for a "masterpiece". We are presented with very haphazardly explained new technology - one might even say, perfectly justifiable,that it doesn't make any sense. For "science fiction" YKK is laughable.

Character designs are heavily caricatured, which subtracts from the realisticality and adds to the "this is for kids" feel.

There're also fanservice-ish moments and things, like how the fembots exchange information by tongue-kissing. (And no, that cannot be justified by "it just adds to the realism, their creators happened to be perverts you see, and many people in technical careers are really perverted nerds".)

Not really anything more to say. Simple summary of a simple manga.

Does it succeed in attaining its goals? I think so.

Are theis goals something so brilliant, original, mature and mind-revolutionizing YKK deserves a 10 or 9? I don't think so.

Do/did I enjoy reading it? Save for the disappointments in relation to the hype, mostly yes.

Is sole personal enjoyment enough to earn something a 10 or 9, if all other important parts of a story lack and the whole thing's mostly a carbon copy of a dozen of similar works? Not in my system.

Now that you know what is defective in YKK, and don't just face a wall of 10 reviews giving impression of "this is for everyone", you may confidently proceed to read it and form your own opinion. I pass the baton.

It is a brilliant stroke to tell a story about transience through immortal cyborgs. Maybe many Westerners would even find that counterintuitive, because transience--more specifically, mono no aware, the nuances of which I will not belabor here, but if you are not familiar, look it up, it's a treat--is a particularly Japanese literary theme, and most Western works focus only on the rapid change the future brings. But there is a constant in that, change and transience, and though we have the saying "the only constant in life is change", I don't think Americans have come to understand that paradox fully. It's given token observancein some speculative fiction, usually in passing dialogue, but nowhere in Western media have I seen the constant side of transience explored with a fraction of the depth given in YokoKai.

This is a world where few things are explained. In that way, it reminds me of Haibane Renmei. Mysteries are left open, and the characters come to open-ended conclusions about everything. There is no closure, and no loose ends are tied together. In this sense, YokoKai defies a cardinal rule of Western storytelling. And yet, it works beautifully. The mystery lends to the gorgeous atmosphere, and the gentle sense of wonder. The artwork is stunning, simple yet powerful pen-hatching.

This is a story about humanity, though sparse and pervaded by nature. An unelaborated ecological disaster has cleaved the human population, sea levels rise and carve out new landscapes. Life is simpler in this story, slow. This is, as Alpha says, the twilight of human existence. Humans will pass from this world, and the world will continue on without it. Yet, the world has been changed by the presence of humans, aside from the disaster--plants resemble human technology, and humans have left behind robots, sentient beings who will survive beyond the twilight. There is a gentle optimism in this, a strange constant in a story pervaded by mono no aware, an awareness of transience. But this is transience backed by the constant of nature, and of evolution. It is sentience that is sacred. Robots are treated no differently from humans, for they are human in that most important way. And sentience, the ability to reflect, has marked the world, leaving psychic residue that manifests as shadows, such as the plants.

The multi-task, multimedia-saturated generation must find it hard to imagine such a simple and slow life. The only technology seen in the manga is moderately old or unobtrusive--motor scooters, cameras, coffee makers. The characters communicate by snail mail. Nary a cell phone or mention of the internet, or even television, is seen. Alpha spends entire days doing nothing but painting the shop, riding about on her moped to take photographs, or fixing up an old well. Such a slow pace, unencumbered by entertainment, must seem like the setting for a profoundly boring life. I admit, though I can sit and daydream far longer than most of my peers, I usually want to be doing something cerebral, like reading, or playing a video game. I don't know if this is mostly because of my desire for 'efficiency' (like sitting around leisurely is a waste of precious time) or my scattershot Gen-Y attention span. I admit I have that urge to sit in front of my laptop far more than I should, as do all of my friends--you should see some gatherings, where everybody is in front of a screen--even though I know reading blogs is just as unproductive as sitting around daydreaming. But there is that illusion of productivity, when we sit in front of technology. Then again, plant me in a library, and I'll be entertained from opening to closing. Is reading a physical book any more inherently good, though?

This is also a world of work-life balance. The overworked Japan of today is gone. People work as much as they need to, with ample leisure time. Alpha frequently leaves her cafe for days at a time, and often receives only one guest per few days. And they can sustain this lifestyle because there is zero commercialism--they work for money to purchase what they need. No keeping up with the neighbors. No consumerist lifestyle. Sure, they live in simplicity, but they're happy. They have the basic creature comforts--nay, luxuries, like air conditioning and running water--but that is all they need. We could all take a lesson from this, given our hyper-commercialized and overworked lives. These people shy not from good, hard work, but they work to achieve a goal, not to spin their wheels, or produce more beyond what is needed for the sake of an edge. There is no blind cycle of consumption. And I have found hard work with a purpose is far more cleaning, and fulfilling, than work half as hard with no purpose.

Inherent in seeing the beauty in YokoKai will be the fact that some people will accuse of thinking too hard about all this crap. On its face, this is a manga about nothing, just mundane details of daily life, making coffee, re-building a cafe, riding into town on a motor scooter. That is a deeply Japanese aspect of the work, showing beauty through the mundane without further elaboration. It's left for the reader to decipher. I can't think of any American works even remotely in the mainstream (or sub-mainstream) that have such slow pacing. In pacing, it's decidedly un-American, un-Western. Quite literally nothing happens for long stretches of story arc. Finding meaning in it must seem to many as though one is trying too hard, or is being pretentious. And being accused of being pretentious is almost worse than being accused of being a hipster. I really think only a Westerner with zero exposure to Eastern works could think that.

Let us look at the concrete details. It is a story about cyborgs, the dying human race, and a world after an ecological disaster we caused. How many stories encompass these themes? And yet, YokoKai is utterly fresh, new, and brilliant. I do not say this lightly. Perhaps because I've had such extensive exposure to brilliant interpretations of the ways technology and life will intersect in the future, I've become vastly harder to impress. A lot of mainstream American science fiction has nothing of interest to offer me. See, for example, Avatar, which explores nothing new in science fiction, and explores it far less deftly than many earlier works.

I think some people interpret my cynical criticism of such movies as just that--the hallmark of a critical, cynical, and jaded person. I've been accused of 'looking for things' to gripe about. But I fancy that it is a sign of a life more deeply contemplated and exposed to superior, stunning art. I don't think this makes me inherently better than anybody else, but I do resent being accused of faux-jadedness, jadedness for the sake of being cool. I can be quite the enthusiastic appreciator of beauty.

I think the accusation of 'looking for things' to gripe about, be offended by, etc (itself a classic derailing tactic) occurs when somebody with a deep, extensive understanding of a subject (either through exposure, like art or ally activism, or through living it, as in the case of a member of an underprivileged group itself) is quick to see things others either miss entirely or see as entirely novel. There is a level of expertise common in the accused. Not that there aren't cynical, unhappy people who do find fault with everything, but activists and scholars deeply resent being lumped into that juvenile camp. And because it's an accusation hinting at juvenile nihilism or blind rebellion, the derailing tactic doubles as a discrediting tactic. That nihilism is the flip-side of hipster irony, liking kitschy things because of their perceived lack of value, but in appreciating irony you have to acknowledge there is something inherently inferior or unlikable about the subject in the first place.

Anyway.

Overall, Yokohama Kaidashi Kikou is a real treat. It's grand, sweet, and breathtakingly beautiful in its simplicity, yet brilliantly imagined. It features a world that unfolds organically for us to discover, and leaves us with a sense of open wonder. It makes me want to drive a moped down an open country road, just for the thrill of being.

Reading YKK always puts me in a strange mood. Often reading seems to be the only way to trigger this mood in modern American society. Reading YKK makes me want to sit back and appreciate things, rather than just going through life doing what I've always been doing. Whenever I'm forced to take a break, I always have an impulse to go for a long walk - even though I know that as soon as I get back in I will die from allergies (I live in Austin, TX, in all seriousness a contender for "Allergy Capital of the US"). The only reason Idon't read YKK on a near-continuous basis is that I'm afraid I'd get sick of it after too many repetitions.

It's not a story for everyone - if you're looking for action, drama, off-the-wall comedy, fanservice, or pretty much whatever most mainstream manga is built around, you won't find that here. (The only reason it counts as seinen is because kids would find it boring.) In a way, that's the best part - rather than just going for constant, almost driving levels of entertainment; it takes the time to slow down and force you to look at life from a perspective of someone who can enjoy things because they're there. YKK is the epitome of the slow, quiet manga - it pulls you into its slow, quiet world, and makes you very depressed when you have to go back to reality since you won't be able to spend your whole day just sitting and looking at scenery (and as boring as that may sound, YKK makes you seriously want to).

YKK gets an overall score of 10 for me.

The story is 10 - very well-done, even though it's in effect a slice-of-life manga with no true overarching plotline between chapters. In fact, most of the plot beyond each individual chapter goes on in the background, rarely if ever interacting with the characters themselves. The beauty of it is that no one has to even mention the background plot for you to understand everything going on in it. For example, the fact that over the course of the manga humanity is slowly disappearing is only mentioned once, and I was a bit surprised when I discovered this line on my second read-through - apparently I missed it the first time, but I had understood that this was happening anyway. It's subtle enough that I'm not sure I can even explain why.

Art is 10 also. It's rather different from the standard manga artstyle nowadays, and transitioning to YKK after reading other things can be a bit jarring sometimes, but that's for no inherent flaw in the art itself. Of course, the scenery is beautiful - most, if not all, chapters have sections with no text and nothing but panoramic scenes of whatever landscape Alpha happens to admiring. The prevalence of these really adds to the manga - rather than slowing it down and making it boring, the images provide a strong sense of the world in which the story is happening, and almost as much is said by the art as by the text (especially when it comes to the background plot).

Character gets a 9 - the Romantic Two Girl Friendship between Alpha and Kotone seems unnecessary and a bit distracting, though that's more my personal taste. It's subtle enough that you don't really have to notice it, though. Beyond that, the characters are done very well, with all but the most minor characters having very well-defined and interesting personalities. There's no one who seems like "all they ever do is X". In the case of Takahiro and Makki, watching them grow up is one of the most heartwarming aspects of the manga.

Enjoyment is turned up to 11. YKK has actually raised my standards for manga - I read a bit less now, since every time I read I hope for an experience like this and am almost always disappointed. (Not to say that whatever I read isn't worth reading, it's just not on the level of YKK.) I mentioned the mood that it puts me in, and I truly wish I could find another story like YKK that would induce the same feeling. There are a few that come close (the Sketchbook anime is pretty good at this), but nothing I have yet found has matched YKK in excellence.

If you're someone who is trying to want simplicity and quiet in their life, but just can't get away from the distractions of modern society, read this. It'll do all the work for you. The hard part is keeping the feeling going once you've finished it.

YKK is a wonderful manga - it's interesting and beautifully-drawn, and it imparts a sense of "the world is worth looking at" and makes you want to go out and do exactly that.

“The spaces between the lines on a page epitomize the bulk of your life… but oh does that not make for a banal narrative?” — Krunchyman Has Hayao Miyazaki and Isao Takahata taught us nothing about the art of slice-of-life? Over the years, I have entertained a myriad of the aforementioned genre in hopes of finding a relative facsimile of the famed Studio Ghibili. Shows like Mushishi, Haibane Renmei, A Whisker Away and A Silent Voice have been nothing short of utter disappointments and have soured my tastes for the genre. Even the preordained replacement of Miyazaki, Mamoru Hosoda, feels like an extremelywatered down version of the anime master. Before the audience gets the wrong idea, Hosoda’s Wolf Children is probably the best slice-of-life I’ve seen outside of a Studio Ghibli project; that being said, the rest of his works are rather jejune and uninspired. The problem, however, does not rest at the doorstep of the genre itself, but the manner in which most directors approach the genre. And if we consider the creative process, it’s really an issue of apprehension. Directors and mangaka’s are fully aware of the infinitesimal attention span of younger audiences, hence they throw in sexualized scenes, prosaic jokes, and character quirks that do not feel natural in the least; which makes the whole notion of labeling numerous works slice-of-‘LIFE’ rather nonsensical; Yokohama Kaidashi Kikou (YKK) does little-to-nothing to change my opinion on this matter.

YKK features a disaster-stricken world where most people live in sparse towns and spend their days lazing about whilst drinking coffee. While YKK is not a tale about mental health or nihilism, I couldn’t help but wonder if the manga panel featuring a gun sitting on the table while Alpha is sipping on her coffee was a reference to an Albert Camus quote, “should I kill myself, or have a cup of coffee?” Philosophical pondering aside, YKK is about the life of Alpha (an A7-M2 model robot) as she lives her cheerful life in her quaint town. As the reader quickly learns, most chapters are placid affairs and many of them contain little-to-no exposition whatsoever. This minimalist approach is quite rare these days and is generally encouraged to permit the viewer to enter a meditative experience about the conundrums of life; however, the conundrums of life are nowhere to be seen in YKK, making the experience in congruent to the human experience. In other words, the characters of YKK feel like idyllic, unrealistic versions of what humans truly are, giving the reader no base in which they can identify with the characters in a meaningful fashion. Life, after all, is about struggling with one’s inner desires and instincts, but when a work of art discounts the essence of life — it is already dead!

One cannot help to draw a parallel with Alpha’s existence and the surface world of Texhnolyze. Both of which are nihilistic ‘paradises’ in which comfort and security of prioritized over the grind of creating a better version of oneself. As a point of contrast, Isao Takahata’s, Only Yesterday, takes the ‘banality’ of human existence and brings to LIFE all of its good and bad aspects. The highs and lows of numerous Studio Ghibli films give the viewer a sense of purpose and fulfillment, even when purpose itself doesn’t exactly exist; whereas YKK is a symbolic representation of heaven, in which you must be comatose to ‘enjoy.’ This is why random scenes in which Alpha takes a bath with Takahiro or the transfer of information between robots through kissing (female kissing, by the way) are used to liven things up, if you will. But all this did was remind the reader that most ‘artists’ in the manga industry are rather indolent, and prefer to give the reader superficial experiences as opposed to literary depth.

It still boggles the mind, though, that YKK, Mushishi, Haibane Renmei, and the like have fooled numerous people into believing that this typifies life — let alone art.

Yokohama Kaidashi Kikou is one of those works that just comes along and doesn't manage to gather a huge fanbase, but the cult following it does gather will remember this story for a lifetime. It's simply outstanding, and manages to carry a story larger than its obstensibly slice-of-life tone with just enough subtle hints to carry it into the realm of mystery and science fiction. Story: 10 (Outstanding) The story is about Alpha Hatsusueno, an unusual young woman living in the outskirts of Yokohama, Japan. After a brief conversation with Ojisan, her closest neighbor, we quickly discover that this sometime-in-the-future Yokohama has been wiped out by risingwater levels, and we also discover just what makes Alpha so unusual - she's actually an A7M1 android (or rather gynoid, to be gender-correct), a practically perfect mechanical representation of a young woman constructed for purposes not even she is aware of, other than to serve as a prototype for mass-produced others like her during some forgotten time. She spends her days looking over a cafe waiting for her never-seen owner, until one day a package arrives delivered by another young woman named Kokone, who just happens to be a robot herself. Their mutual loneliness gravitates them towards each other, and Alpha learns to venture further away from Yokohama on a voyager of self-discovery while learning more about the few people left in her life.

A fantastic story indeed, heavy on character and storytelling visuals, we get a true sense of what this world is like and what these characters are experiencing.

Art: 10 (Outstanding)

Yokohama Kaidashi Kikou is masterfully illustrated in both its character designs and landscapes, something most closely matched by the grand works of Myazaki. Alpha and her fellow female robots are downright gorgeous (admittedly a major part of the appeal of this work for the author :) and the scenery is breathtaking. What really elevates this work to a masterpiece is the magic integrated into the art - the surreal imagery of streetlights glowing underwater and having an out-of-body experience in midair is something that has to be seen, especially when it's done so well on the static page.

Character: 10 (Outstanding)

Alpha Hatsusueno is a very well-done character who has everything to offer to the reader - a gorgeous young woman who learns to have a love of life through the friends that surround for her and love her. I realize what I just wrote may make her sound out to be the ultimate Mary Sue but this characterization is carried off very well. Her character is an interesting mix of various things, ranging from childish naivety to piercing wisdom and insight, serving to illustrate the contradictions of living as a young woman who is in fact older than most people left alive. The other characters around her are just as richly told, with Kokone displaying many of the same degrees of naivety-to-wisdom but in a different manner, reflecting her different interests, motivations and aspirations; the humans serve to reflect off the robots, and to reminds us that these robots are reflections of ourselves.

Enjoyment: 10 (Outstanding)

All of these factors come together to make Yokohama Kaidashi Kikou an absolute triumph of storytelling. Truly, it is a deep experience that one is not likely to forget and reminding the reader as to why it may just about be perfect.

Giving Yokohama Kaidashi Kikou a final score of:

10: Outstanding

YKK is a manga that revolves around a female robot named Alpha who lives in a far-fetched, but peaceful japan. To start off, YKK was a 90s manga, so a lot of the clothes style and technology are 90s and surprisingly haven't changed much over it's 12 years run. The plot is simple, Alpha a robot who runs cafe and gets occasional customers, and seems to live life in the moment. Some people dropped YKK because they didn't find the story engaging enough or it was too boring. Personally I think that YKK is a soothing, very laid-back and has a nostalgic feel with mysteriousundertones. I don't think the manga is necessarily boring but rather slow-paced. Each story, or chapter is very short at about 15 to 20 pages, with little to no dialogue at times, which makes reading very easy. But what really makes YKK special is a the calming art style and the dialogue feel like a mix of a novelistic and poetic words. The art is very detailed from the interior of the cafe to the waves of the sea, plus every volume has a colored chapter to read. The characters are lively and 'slice of life' like, for example, as you read you in the perspective of Alpha, she watches over Takahiro and Makki like a guardian. Through the years that YKK was serialized characters actually age, and because Alpha is a robot she doesn't age, instead she watches as Takahiro and Makki become teenagers, and adults right before her eyes. In YKK there are a lot of questions left when manga ends like why are there so few male robots, what is the purpose of robots, and how the world became peaceful (possibly post-apocalyptic) and such. Overall YKK is one of a kind, a beloved manga by many and is one of my favorites of all time.

Yokohama Kaidashi Kikou is a pretty chill series .I would not call it special or something ,but it was a pretty nice read .I also liked the concept of time and growing up ,which were a big part of the series The art was cute ,I really enjoyed the authors artstyle ,it kinda made me nostalgic for some reason The characters were fun to watch , I can't say I disliked any of them. Another really good thing about the series is that it can be read really fast as it has little dialogue. Overall, Yokohama Kaidashi Kikou is a pretty decent and cute series,I would recommend it ,butkeep in mind that there are no shocking moments ,plotwists and such

Like a mighty phoenix I rise from the flames to bring you this review. Like a good neighbor Time Stop Samurai is here with a brand new review. When you think about overrated garbage what comes to your mind? Aria the Origination? Monogatari? Shigatsu wa Kimi no Uso? When I see the phrase one title rises above the rest, Yokohama Kaidashi Kikou (YKK) or as its known in English Yokohama Shopping Log. YKK as I will be calling it, is an ephemeral slogfest that tries to be deep while being a thinly coated moe pandering slice of where nothing happens. This show panders topeople who get off to girls doing nothing yet want to fit in with the “big boys” on anime discussion forums like 4chan. This manga if I can even call it that is about an automaton named Alpha who runs a café after her master left whom went on an odyssey. What is his raison d’etre? What happened to him? We never find out, this manga weaves many plot threads but fails to tie them into a coherent plot. It’s just a mess of meaningless and mundane drivel. Alpha is an android of sorts, however she doesn’t act any different from a human. The writing is lazy because rather than giving her a believable robotic personality the mangaka settled for something more simple. The manga also features little to no dialogue, most of the panels are just scenery shots which are inherently shallow. Like all the “slice of life” manga of its kind YKK lacks any tension or suspense, the exorbitant amount of banalities make it hard to get invested to the story. It’s superfluous yet also empty and meaningless, an empty shell, ruined potential.

Artistically YKK is a mess, the character proportions feature long grotesque limbs, reminiscent of those in CLMAP anime/manga. The paneling is awful and fails to give readers a good sense of location. The character designs are inappropriate, none of the cyborgs look robotic, it’s easy to mistake them for humans. The backgrounds of the manga are not good either, if you want real good backgrounds go read Asano Inio.

As I previously stated this manga is nothing more than thinly coated pandering, let me elaborate. YKK makes excuses for fan service by making it fit into the world. In order to exchange information the automatons must mouth kiss. This is nothing more than an excuse to increase sales and pander to otaku scum who lock themselves up in their mom’s basement and read 18+ doujins. Was there no other way for the robots to exchange information? And why must all but one be female? It’s very similar to a harem if you think about it.

But in the end, nothing really matters now otakus can read this pandering while thinking they are somehow smart. Contribute to society you degenerates, earn a Engineering degree and build bridges and robots instead of jerking off to them.

It is the time when the whole world, which had been like a festival, slowly calmed down. Here is an introduction to the gentle time called The Age of the Calm Evening.. Yokohama Kaidashi Kikou, one of the simplest manga you may see, I encouraged to write this review after reading the Epilogue chapter (I didn't do that before ). Yes, it's 14 volumes but the simple story and details made this looks like 5 volumes manga, but it has its own charm, YKK's story is Post-Apocalyptic while the life is changed after rising the sea level, and the population is reduced, there was a lot of new animals,and the life became much simpler. The female roboat 'Alpha' who have a cafe located in Japan, it's nearby to Yokohama. Alpha have a really really cheerful, light-hearted, optimistic, jovial character, she owns that cafe while nothing outside the scope of daily life happens.

Story: 9

story of YKK is really simple, cheerful robot, a cafe and neighbors, it shows you the simplest way to live your life. The field of story isn't wide, it supposed to be wider because it's 14 volumes, so you won't find a lot of flaws in this. Language of this Manga is great, really luxurious and elegant.

Art: 10

Art is exceptionally great, simple, unbelievably cute, no devils, just smiling, the sun is shining, nothing can stop that, It really fits the atmosphere of this manga, and it shows you the Moe in another way.

Background artwork is awesome too, colored ones are mostly green, blue, and the colors of nature, I wasn't even able to close my eyes, the art of Yokohama Kaidashi Kikou is really great.

Character: 10

didn't you know why I gave this a 10? because this is realistic, It's similar to Miyazaki's works, there's no devils, they're smiling, always similing, no dark side and no supernatural things.

Enjoyment: 10

read this when you're calm, listen to calm music (Vashiti Bunyan's songs are great :) ) and relax

you will enjoy this, totally!!

thank you for reading

- zanac

Let me start by putting this out there: Yokohama Kaidashi Kikou is not only my favorite manga ever, it is my second favorite overall work of entertainment after the Suzumiya Haruhi series. So this will be a rather glowing review. However, I will do my best to express why I consider this to be an absolute masterpiece and talk about a few aspects which may prevent others from feeling the same way. Yokohama Kaidashi Kikou is an award winning manga by Hitoshi Ashinano. The series follows Alpha, an android who runs a café by herself, as she goes about her daily life and explores a beautifullycalm post-apocalyptic version of Japan.

Before I go into full-on “gush” mode, I’ll divide things into the category breakouts:

-----Story - 9 out of 10-----

Let’s start off with what will likely be the main category to turn some people off to the series. While I would personally put this at a 10 out of 10, I deducted a point because I recognize a few things that some might see as flaws. But first, the positives of why I love this story: Yokohama Kaidashi Kikou has some of the most subtly exquisite world building that I have ever seen in a work of fiction. If you want to experience a perfect example of what people mean when they say “show, don’t tell” in storytelling, read this series. There is almost no exposition and the narration that is present is usually Alpha’s personal thoughts and experiences with the world around her.

However, looking at things from another perspective, this meticulous and subtle world building can precisely be what turns other readers off. There honestly isn’t much of an actual “plot” in this series and it presents many mysteries about the world that are never explicitly answer. But as you read it, that doesn’t ever seem to be a goal of the story. It is more of an experience for the reader in its overall atmosphere than it is an intricate tale.

Yokohama Kaidashi Kikou has a bit of an “iyashikei” (healing) slice-of-life feel to it and if you go in expecting an epic, you are setting yourself up for disappointment. On that note, while it may feel like there isn’t much of substance going on, I’ve found the pacing of the series to simply be amazing. While the “nothing” goes on, the series never feels like a drag and its overall dialog-light nature makes it an extremely fast read. Some chapters actually have no text whatsoever. Even if you are a very slow reader (as I am), each volume can easily be finished in about 30 minutes while still fully absorbing every piece of wonderful art. Speaking of which....

-----Art - 10 out of 10-----

The art in this series is just plain wonderful. While it does use a simpler style than other manga that would be praised for their amazing art (such as the crazy amount of detail in something like Berserk), I can’t really understate how beautiful I find many of the compositions in Yokohama Kaidashi Kikou. I’ve literally been brought to tears by the art alone. Will the art be to everyone’s liking? Maybe not. It could seem a little dated to some as the series began in 1994 and the character designs might take some getting used to. Some may find it too simple compared to other manga out there. But regardless of tastes, I would be surprised if anyone can read this and deny the inherent charm of the art. I feel that the style is perfect for the story being told, a simple and calm kind of beauty that will absolutely pull you in if you let it.

-----Characters - 10 out of 10-----

There are really two main characters in this manga: Alpha and the world itself. Alpha is the center focus of nearly every single chapter of the series so it is important that she is a character that the reader can enjoy, especially with its slice of life structure. Luckily, Alpha is a very easy character to like or to even fall in love with. She is a cheerful yet grounded character who is always excited to experience life and explore the world. That excitement is then contagious so that, again, the absence of an actual plot never makes the story feel like a drag. It also helps to let the reader fully appreciate the world which is a character in its own right. The setting of Yokohama Kaidashi Kikou truly feels like a living, breathing entity. The landscapes, artifacts of the past, and mysterious creatures (the Misago in particular being a personal favorite) all feel like a part of the world as a character, interacting with Alpha and other supporting cast members in wondrous ways.

-----Enjoyment - 10 out of 10-----

Surprise, I really enjoyed this manga! For me, everything talked about above creates a perfect package of a beautiful, calm experience that transports me to this world with Alpha at my side. Was that too cheesy? Well, the subtle sense of adventure as this strange post-apocalyptic world is traversed is right up my alley. It is a delightfully easy yet fulfilling read that is able to just make me feel good and immersed while also providing a sense of wonder that I haven’t experienced in any other piece of entertainment.

-----Overall - 10 out of 10 (Conclusion)-----

For my tastes, this is really the full package: wonderful art, great characters, compelling world, and perfectly paced. While there are questions left unanswered, it feels like a complete story that is just the right length for what it is trying to do. Since it is such a fast read, I would recommend at least reading the first volume to absolutely anyone. Even if you don’t usually get into slice of life stories and especially those with an iyashikei feel, this still has potential to be an exception for you.

But that’s not to say this series is for everyone. I remember once there was someone from an American manga publisher (I think it was Vertical) who was asking for license suggestion on a forum. I suggested Yokohama Kaidashi Kikou and it turns out that he REALLY doesn’t like the series. Oh well. Again, the questions left unanswered could end up bothering some people as can the general lack of a plot. Also, as this series has quite the large amount of praise out there, the hype of the series could potentially raise the expectations of new readers to unreasonable heights. If you do try the series, please do your best to go into it with an open mind. While I personally feel that Yokohama Kaidashi Kikou is one of the greatest pieces of entertainment ever produced, that is definitely not a universal opinion and should be taken with a grain of salt. But if you are able to let yourself get absorbed into this world, you are definitely in for a treat.

I must admit, that even among Iyashikei, I feel like this series managed to surprise me quite a few times. Even if it shows its age in some places, it never feels like it's a hindrance to its story. While a lot of elements of the world go unexplored and unanswered, that's the part of its charm. The many loose ends do manage to work the imagination quite a bit and they ultimately don't need to be dissected, as those mysteries are what makes this world unique. While we explore some places around the world, it's always brief, which helps it feel like it's just atrip or a vacation, while those same few places near Cafe Alpha truly feel like home.

With 140 chapters, I feel like this manga, more than a lot of others in the genre, takes its time to dedicate entire chapters to singular fleeting feelings. And as it is a series about the passage of time and coping with it, I think it only strengthens its message. The chapters can fly by, just as the days and years fly by in real life, so it's important to give one's self the time to slow down and enjoy those moments, such as the summer breeze or a visit from a friend to their fullest. There is an argument that some of the chapters could feel pointless or that the runtime is bloated, but in my eyes it is exactly the point of the manga to capture all of those moments, one by one.

I was even more pleasantly surprised by the yuri subplot, which I did not expect going into this. It felt very genuine, perfectly slow and grounded and ultimately very cute. As few plotlines did get a hard resolution, I was delighted to see that this was one of those to get closure and an ending I was hoping for. While the series doesn't delve to deeply into romance, I think it did just enough to make me really feel for Alpha and Kokone's relationship, where I was reading every chapter they shared with a giant smile on my face.

While the ending portion might feel a bit rushed, as time does seem to go exponentially faster with each passing chapter, it felt like we've come to know those characters for so long, that seeing them grow up, even if rapidly, felt genuinely heartwarming. Especially with Alpha herself, whose growth is by far, one of the most interesting aspects of the entire read. While she never fundamentally changes, she keeps learning every day, becoming more mature and more complete of a person. Many stories frame immortality as a curse, having to lose everyone you love, in Alpha's case, she treasures every living memory of her days with everyone and keeps changing herself. Every relationship she forms sees her take on a different role and find meaning in being a sister, friend, daughter or lover. While granted, she'll always have the company of Kokone, every human she meets and remembers is a treasured memory she wants to keep forever. It ultimately makes her story one of hope, love and desire to live.

It's a delightfully prosaic read, full of "blink and you'll miss it" impressions in a world that's deceptively small. Some of its most insignificant moments are truly some of its most beautiful. As Kokone and Alpha come to realize, robots are created from humanity's most treasured sensations, which allows them to take everything a lot more strongly and that's the message the series wishes to bequeath — Hoping the reader will come to appreciate the mundane the same way they do.

“The flow of time carries everyone along, moment by moment. It never stops.” There are already many comprehensive, exhaustive reviews of this manga – so instead I will focus on a strand of the work that I, personally, took away from this beautiful work of literature. The basic premise is that of an android, Alpha, looking after the café left behind by her owner, in the hope that they will return – Alpha, being an android, is not affected by the passing of time in the same way that humans are, her body remains the same throughout time. Having said that, what really made this aspecial read was how the mangaka Hitoshi Ashinano was still able to convey the passing of time through Alpha’s eyes in such a tangible manner. Instead of feeling the effects of time through the deterioration of her body, her mind etc., she instead observes the passing of time through her relationship with others around her. As the manga nears its inevitable conclusion, a sense of melancholy begins to seep in – as those who Alpha saw as younger siblings, Makki and Takahiro, soon grow older, get jobs and move out of their small countryside home. Alpha is left behind with her less-than-prosperous café and the vague hope of seeing her owner again. Eventually she isn’t just waiting for her owner to return, the waiting list extends to Takahiro and Makki.

There’s also a lingering sense of regret, of missing out on the joy of youth. The recurring use of the Misago, the naked unaging lady, as a metaphor for the things we leave behind as we grow older was especially poignant – about clinging on to things in the past that we can’t change, Takahiro, Makki and Ayase all desperate to just see the Misago one more time, they wish they could relive that experience and engage with her as opposed to freezing out of fear. At least they were able to live this experience in the first place, when Makki’s daughter has her own encounter with the Misago she asks Alpha, “Have you met her too?” and she can only reply with “Mmm… not yet” – as if she will ever get the chance (the Misago only reveals herself to children). I, myself, know that there are many aspects of my childhood that I wish I approached differently – having lived a very sheltered life thus far, I never got to explore my surroundings through the heightened lens of a child and as I grow up, my hometown seems less and less exciting.

However, that’s not the point of Yokohama Kaidaishi Kikou. It’s not about self-pity, regret and loneliness – because despite it all, Alpha experiences her life with an unrelenting optimism. How Ashinano is able to capture a beauty in what should be a morbid setting (a setting with constant reminders of humanity’s past, and its destruction). Like, the scenes in which Alpha looks out over a sea lit by the street lights of the past that only just peer over the top – a relic of humanity’s past, a civilisation destroyed by the rising sea levels, yet it remains a sight of utter beauty. You can't control the past, you can't relive the past - yet there is happiness to be found in the present, or in reminiscing about those immortal memories of times gone by.

“When I sense someone and turn around, it’s often just a streetlamp, tree, or a white human shaped mushroom there. There, the remains of former streets and plazas, the places where long ago, people used to linger. Are the “recollections of people” that the Earth remembers. My place is Café Alpha. The places I have seen, the things about everyone I will never forget.”

for those who want to understand themselves better. for those who want to understand others better. for those who feel that time is flying by too fast. for those who are afraid to grow up. for those who would like to grow up. for those who appreciate that bittersweet taste of nostalgia. for those who go out at night to look at the lights of a distant city. for those who still feel butterflies in their stomachs. for those who feel small compared to the world. for those who feel different, but are not so different.for the others there's Solo Leveling.

I signed up to MyAnimeList in July 2008, and read YKK within a year. At that time, it was rated around a 9 and perennially ranked in the top 5 manga, including a stint at #1. Now, 6+ years later, it's rated 8.67 and #48, while Akira is in the top 25, a JoJo series is in the top 10, and two Urasawa manga are in the top 6. In other words, good job, manga MAL readers! YKK is about a young woman, Alpha Hatsuseno, who owns a small coffee shop in rural Japan and runs errands on a motorized scooter.This takes place after a global apocalypse...but that never becomes relevant to the story. And Alpha is either an android or robot...but that never becomes relevant to the story.

It's been well over 6 years since I read the manga, but I remember YKK like it was yesterday. Not because it was memorable, mind you, but because there was so damn little to remember!

There is no conflict or even plot to the 14 volumes. They consist of Alpha drinking coffee, making small talk with the few other characters, riding a scooter to various errands, and contemplating nature. That's it. Many panels don't even have speech bubbles.

I even set a personal record. I have always read manga quickly, but never before have I managed to consistently read an entire volume of work, normally 150-250 pages, in 5 minutes flat.

The whole time I was asking myself, "why am I reading this"? Is there a compelling, interesting story? No. Are the characters interesting? No. Is it funny? No. Enlightening? No. What's the damn point? I have an extremely wide range of what I'm willing to enjoy, including high school shoujo romances and avant garde, surrealist works.

But utterly empty navel-gazing? No thanks.

I can't even buy that it conveys an appreciation for nature or Shintoism. For one, I get that sense far better hiking on a trail or in a forest. And secondly, the art is far too sparse and simplistic to convey any of that imagery. Maybe if we were talking about a landscape artist on the level of John Constable, JMW Turner, or Isaac Levitan, but we're not. Even by typical manga standards, Hitoshi Ashanano's art is average and unexceptional.

What we're left with is a ruthlessly boring, empty manga.

I'm not sure if there is supposed to be something more profound and introspective that I'm completely missing, but often times I would ask myself "what am I even reading?". The characters come and go, and plot feels dragged out and very minute changes happen in the grand scheme of the story. The art is good, the story's atmosphere is relaxing and at times gloomy. A lot of the chapters felt pointless. I don't even know. It's okay? Could have been a 40-volume manga. Maybe that would have made it better. Maybe. Why this is rated so highly, beats me. People want to appear enlightened? Cultured anddeep? To me, it was a waste of time.

Summaryish: Recommended. Not an easy read but a light-hearted deeper sci-fi that doesn't let you down with characters or artwork. A little episodic at times. Well first off lets start with general feel and feelings about it. I really like the feel of the manga as a whole however in the start I almost quit since the dystopia of apathy just felt off and mismatching with the general feel of the story, however you get used to it and just accept the general apathy and resignment, and later on you'll accept it as a part of the world. Well due to this the general feel isn't as easyto read and always connect with in my opinion but all the much better since its something that (atleast for me) isn't the general thing off it.

Story:

So the world isn't all that fleshed out as it could be but this isn't really a bad thing since its more off a character based story. And it leaves alot to your own imagination or just thinking what it could mean. That means you'll probably be quite disappointed if you can't accept a world that's not all cut and fed to you in bite sized chunks.

The flow of the story is fairly nice(just a few times I felt lost and wondered what happened) and doesn't just stay in the status-quo but moves forward.

Art:

Well what can I say? Crisp nice and no faults and keeps a good level throughout, other then that its all my personal preferences.

Characters:

This is the strongest part of this manga, even though as I said they are apathetic and rarely improve the situations but they are still characters that you can relate to and understand. And its for me hard to dislike the main character not any of the major side characters.

Overall:

Overall I really liked it, but it had a few flaws none of which you can't live with (or love if you're not me). And this really was just the kind of story I was looking for right now so.

Well that's it!