Reviews for The Kingdoms of Ruin

What a complete mess. A fucking mess. From 'a bloody revenge act' to 'massacre all witches till extinct scenes' to 'a lovey dovey journey in wasteland', WTF is this shit!? They had us in the first half, not gonna lie. In chapter 6, it's already foreshadowing the end of MC tragic journey, please stop already, I beg you. The art is very good, really outstanding if I might to say, maybe one of the reason I read so far. The start is promising, the readers got emotional toward the MC and hatred toward humanity, the set up is executed really well, but later, it's dropped from100 to 0 really quick.

Out of all characters introduced in this series, 'Punch' the leader of wasteland polluters, is the real chad, the only memorable character, even though he only appears for a while.

In conclusion : this just another edgy, masochist, psycho, and gore manga. The author just want to show the reader mutilated humans body and how the witches got beaten to pieces, what a psycho. I hope this not get into anime. In the end, it's not really recommended, better be forgotten forever.

Read on your own risk.

Every revenge story has to deal with difficult questions: "Is vengeance justified?", "How many moral lines can one cross before they become as evil as his enemies?", "Would a person being avenged want all this bloodshed in their name?". Hametsu no Oukoku is unique in sense that it answers these questions very early on by making its protagonist an irredeemable monster getting off from gunning down innocent women and children from the get go. With this shocking opening to draw your attention, I want to make one thing clear - this story is a slaughter festival about one man natural disaster willing to betray everyone justto avenge his master. It is also a story about somebody so monstrous that he had literally rejected the very possibility of bringing his master to life. Without spoiling the actual events, MC is a bloodthirsty psycho who actually decides to become exactly as evil as his enemies, right down to butchering innocent children. In a story of the war between genocidal empire and one man genocide machine there are no actually moral position.

The first 13 chapters have shown us enough of protagonist's evil that the literally genocidal empire seems like a viable moral alternative, simply because their goal of magic free, human controlled world is so much less bloodthirsty than MC's goal of causing humanity's extinction. Reading this story feels like exactly like reading a story about Nazi fighting against Cthulhu. Both sides are irredeemable monsters casually butchering innocents, but one side at least doesn't want to eliminate the whole mankind.

As for the dark elements, the series is absurdly tasteless in its use of shock content, mostly sexual violence. Look, I get that some stories are dark, but shoving random rape and gore just for shock value is genuinely bad taste. I actually don't have much more to say about it than calling it out for being bad taste and serving no real purpose beside making readers wish for empire's destruction enough to ignore the fact that MC is literally butchering women and children while crying from joy.

As for the action sequences, they are beautifully drawn but feel awfully empty. The series fails to provide the framework for the story beyond "grand magic cool, power armors cooler". All the vivid details, all the grand choreography and all the potentially cool elements are negated by the fact that for most of the time we just have people throwing unexplained attacks at one another. It feels like two kids making up super moves while playing with action figurines, just with more gore and edge than usual.

Overall, this story is very disappointing and leaves me with a bad aftertaste. It's a solid 1/10 review.

Review for an ongoing series? This is madness! Yet, the only maddening thing to me, is how this series starts. Over the years, going through piles of crappy comics, especially web ones, I have found certain template that authors like to use to guide their story. I think this is one of those cases where the template was taken a look at and tossed aside. That's a little too far into the story part, so let's pull it back. Hametsu no Oukoku is a comic written and illustrated by Yoruhashi. I am pretty sure there's a web comic series made by him floating around online. Thatone was very webcomicky, quite rough yet extremely competently made. There's something that web comic artist struggle to do. Stringing frames together, especially action ones. Most do not have formal training at making comics. They are mostly illustrator turns comic artist. This person webcomic is in between. The frames are clearly very web comic, which means a lot of wide angle shot, more emphasise on the computer graphics, whether it's background or shining stars and such. People are not easy to draw, so the less people in frame, the better. It also creates a feeling of "grandeur", which can impress and intrigued young readers. This is why adventure games usually start with rich environment, to draw in the viewer's curiosity. In normal comics, it is much more like a movie, which usually is framed through a storyboard. Perhaps it is the opposite, movie makers start making movies according to comic artist layout. You have different shots to emphasise different element, depending on where the author wants the story to go. If a character is going through an emotional ride, it should start with close ups, emphasising their facial expression, then moving slowly out to their posture, body language, then to the person comforting them, then to a wide shot with all the characters around them to show that they are not alone. It is very simple, but often web comic don't really do this, or doing it subconsciously because they were imitating what they see rather than being educated on the experience that 50 to 100 years of comics have been through. In any case, this is to emphasise that the author is probably an unpolished gem, picked up by some editor, sent to work under someone tutelage and now able to publish their own work.

The first thing to start should be the art, I want to avoid discussing the story for now, but I will try to segue into it as smoothly as possible. If I have to find a word to describe the art, it would be astoundingly competent. Normally, you would look through an artist body of work and observe them refine their style. The author seems to be a very competent illustrator that turns to comics, yet still be able to draw environment pretty well, and very detailed. I have to admit I was shocked all the way as the story rolls, with frames after frames of very well done art. It's almost unique as well, because it carried a ton of that rough web comic framing. Big, bold wide frames, continue to roll in. I was not used to seeing such detail, competent illustration on such an unprofessional and unpolished framing, especially the action scenes. The story might have influenced that, but I do think that the art deserves high praises, if nothing else, just for being very pretty. It's similar to Obata, but Obata shading is just unique and magnificent, while this is merely pretty. Yet, I do see signs of framing being used. The author do break, drawing characters across frames to show them and the scenery at the same time. Such techniques never show up in webcomics, and could have been taught during their training period. The feeling of webcomic never cease to hang around, probably due to the way shading, shadowing is done. I don't hate it, but the lingering unpolished webcomic-ness makes me confused, but that's much better than annoyed or repulse. Isekai trash adaption could learn from the author on how to adapt those works, rather than drawing many empty background frames, masked with speech bubbles so they don't have to draw anything else. That being said, I am pretty sure it took a lot of effort and time to finish, hopefully the author can learn how to use their time better by reducing details and works on parts that do not need so much work on. I do have to add that the main problem with modern comics and webcomic illustration to me had always been the lack of style and artistical expression. I don't know how to describe it until I attend a fine art class, but that gap in the art really pops, especially one as nicely drawn as this.

Speaking of Isekai trash, I thought this was one of them initially. The story, described in a few word, is a speed run of the usual revenge is bad plotline from seinen. That is to say, it isn't very good. It is not original, intriguing, gripping nor exciting. It falls flat in everything it is doing, whether it's context, lore, character, dialogues or emotion, it does badly everywhere. To me, I think this might be the opposite of a webcomic issue. This might be the editor telling the author to condense the story or the "prologue", and get right into the action. I feel some sort of story template was consulted when the idea was pitched, but was quickly canned after a few rounds with the editor. Let's go into spoiler territory here, though this is the spoiler for the review that you would want to read, I don't recommend this comic.

-S-

The first major issue is with the core emotional drive of the story. It's not that it isn't clear nor not communicated properly, it was just that its delivery was weak. The author sets up the emotional core through mostly flashback, which is a terrible way to introduce the characters. I am not going to say the main characters weren't introduced properly, but their core emotional struggle is just done out of the blue, more than anything else. The usual template would be to start with the main character struggle to survive, then his mentor picked him up. He would initially be fearful and distant from his foreign mentor, but then eventually warm up to her as they journey together. That entire set up, which usually takes up the first 1-2 volume of a story, was done in a small series of flashback. This is a lot worse than that time when SAO TV series sets up the main character entire motivation and emotional drive by establishing those characters in 1 episode then killing them in that episode. I know some people say it's entirely possible, and that many have done it before. You need to remember that most series that did that had to push the main character to the wall first, before using the dead in this episode to pull them out, only for them to die, motivating the main character to fight on, or into despair. A good example would be Kaworu. Not only did Eva spend 5 previous episodes dragging Shinji through the mud, it blew everyone into depression before adding Kaworu, who seems to be the only one who knows everything yet still enjoy the situation and provided the main character with the intimacy and life line he had wished for the entire time, only to have it yanked away cruelly. That's how it should be done, not in the SAO TV series way of casually introducing the character, adding some fast forward, then killing them off. This is far worse, because when the main character gets angsty at everyone, I don't feel pain in my soul nor sympathy, because I feel nothing. There's not context to their relationship, nothing for the reader to latch onto. The thing that the author chose to anchor the story on, is the edge. That's right, this is the edgiest pile of garbage of a story since Akame ga Kill. That series death easily beats Hametsu no Oukoku's weak, uninteresting characters at every corner. The main connection that you have with the mentor in the beginning is basically how she's hot, yet was brutally executed in gory details. Gore can be fun, and I have found them to be fun in the past, but it needs to have context to be fun and interesting. Badly done, random gore in comics are often very uninteresting. I would only bring up one small gore example to demonstrate why gore works and why this doesn't. The gore in the famous bathroom gore that's probably originated in Japan suggested sexual, emotional abuse, self-harm or suicide. It is thought invoking, intriguing, and the imagery is deliberately vague yet exposed in very gory way. That works because it subtly provides the context and is photographed in interesting way. This is not, the character is just butchered, and then done, we move on to the next chapter. This is as if the author has zero interest in anyone other than the main characters, the chosen ones. This is beyond silly. Side characters, even villains, should represent an aspect of the main character, if the author decide to write a story revolving around protagonists rather than event. This is a revenge story, so obviously it will be about the characters. Yet, these side characters were introduced, a twist about them is revealed, they are eliminated and then the main characters move on. This was done about 3 times over the course of 20 chapters. It contradicts the revenge premise. Revenge is always about the value of life. It comes from an eye for an eye mentality, and standing opposite of that is the circle of violence argument. Yet, if the story keeps on chugging along, treating lives like trash, who's going to care about his grief, which is the main character's main driving force.

There's more to the trashy story other than the basic premise and execution being complete nonsense. The plot itself is full of predictable twists, coming from a template, that fails to impress because the story seems uninterested in them, almost. I wonder what's the point of those twists, if they are just introduced, then twisted within the span of 10 pages? I am not sure why the author is speed running the "prologue", because they basically started the story a few times over. The first start they could have went with was the one I mentioned above. The second is how the story actually started, with the mentor being executed. The third would have been the secondary main character backstory with her friend who didn't want her to join the mission. Then, she could have been shown to think about her friend despite being stuck in jail. I also thought the fan of the terrorist could have been an entire storyline on its own as well. The last one would be when they reach their first town, after 20 chapters. Stories starting in the middle have worked multiple times before. Berserk's flashback took up a huge chunk of the story. This could have been done exactly like Berserk, which coincidentally is almost a revenge story as well, eventually becoming a story about redemption. I don't understand why the author went through so many story inception templates. It is almost for no apparent reason. Further adding to the mess is the various touch and go subplots. If the author wants these details added to add weight to the fight, they have to properly introduced them, letting the journey soak those characters into the reader's mind before introducing the twist and the end of the subplot. Those characters are just killed, mostly arbitrarily, which is a huge disappointment. Akame ga Kill had the courtesy to set up those characters shallowly before cutting off their heads. This is a big pile of mess.

I also noticed some inconsistencies, such as the secondary main character being fearful of the protagonist despite her being sent in to get him out. There are more nonsense such as the teleportation tracking thing etc... Issues with the stories and characters are just endless.

-s-

Overall, the story is not good. It is not set up well, not well told, and have basically no payoff. All of the subplot beginning and end abruptly, like someone change the channel. It's not something worthy of emotional investment, precisely because it is lacking in that.

Do I enjoy this professionally done webcomic. I would say, a little. I find it refreshing after slogging through piles of Isekai trash, but it really does belong with them. It is so badly conceived, I wonder how it got through editorial, or perhaps editorial is where it was butchered. In any case, decent art, shit story. I would recommend this to Isekai trash artists to shame them about webcomic artist being able to produce this level of work, and to webcomic artist to show them how they can use traditional comic techniques rather than the awful webcomic format. For comics fan who are curious about a middle ground between proper comics and webcomic, this is a good sample. I think that was the only thing that kept me going.

Better than the anime adaptation (no surprise here). In a world where a genocide is carried out on witches, one of them, an adult woman Chloe, has a young human disciple: Adonis whom she has taken in on the street. A love is born between the two despite their age difference. Chloe ends up being savagely killed by humans under Adonis' helpless eyes. The latter swears to take revenge and to massacre his own, that is to say all humans. This is how this excellent manga begins, well drawn, surprising, violent, brutal, beautiful. After having read seven volumes, I am under the charm of this manga. Donot hesitate to give it a chance. :-)

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Excuse my english, it's not my first language.

it should cater to my taste but surprisingly, I find the MC more inhumane than most edgy anime and manga I've read/watched. Even if I understand MC's frustration and desire for his revenge, so far NONE OF THE DEATHS PROVED TO BE SATISFYING. It's more or less just a bloodbath in first 20 chapters or so. Both sides of the coin are hypocritical (as most things about revenge are) but it's so edgy to the point of being cringe. Both MC and the FMC (the supposed-to-be anchor for MC's humanity) turn out to be more of disgustingly idealistic individuals. The two characters are polar oppositesof each other but cranked up to max.

This manga is what you get when you have an artist who thinks they can write too. This manga is like throwing marbles on the floor and then collecting them not in the order you threw them but at random. How can Keyaru go from revenge-hungry to the sympathetic gentleman and then back to the revenge-hungry psycho in like 3 chapters alone? If people had the capability to change that drastically in that short amount of time, life would be great. Just be in a world written by an incompetent author and there you go. Oh? You want to bring your ex-lover back to life? Actually,I believe you want to be friends with a random witch you just met... Wait! You can't do that, what about revenge? Yeah! She is not your friend anymore. She is your enemy. Okay, Imagine Dragons. Everybody wants to be my enemy... main character is written as well as musically talented Imagine Dragons is. Complete and utter garbage.

The art is amazing...

everything else is horrible.

Redo of a Ted Kaczynski.

INDUSTRIAL SOCIETY AND ITS FUTURE

Introduction

1. The Industrial Revolution and its consequences have been a disaster for the human race. They have greatly increased the life-expectancy of those of us who live in “advanced” countries, but they have destabilized society, have made life unfulfilling, have subjected human beings to indignities, have led to widespread psychological suffering (in the Third World to physical suffering as well) and have inflicted severe damage on the natural world. The continued development of technology will worsen the situation. It will certainly subject human beings to greater indignities and inflict greater damage on the natural world, it will probably lead to greater social disruption and psychological suffering, and it may lead to increased physical suffering even in “advanced” countries.

2. The industrial-technological system may survive or it may break down. If it survives, it MAY eventually achieve a low level of physical and psychological suffering, but only after passing through a long and very painful period of adjustment and only at the cost of permanently reducing human beings and many other living organisms to engineered products and mere cogs in the social machine. Furthermore, if the system survives, the consequences will be inevitable: There is no way of reforming or modifying the system so as to prevent it from depriving people of dignity and autonomy.

3. If the system breaks down the consequences will still be very painful. But the bigger the system grows the more disastrous the results of its breakdown will be, so if it is to break down it had best break down sooner rather than later.

I cant believe I read this thing, up until the current Chapters. There is no redemption, the hate, the grudge, the revenge, keep pilling up, and up and up. Now I felt like the mc, the thirst for revenge keep growing stronger. Whoever made this, I dont even want to know, enjoying torture the mc and his companion brutally, again and again, his action now feel justified, the suppose to be happy/comedy moment felt empty. All the reader out there, if you want redemption, dont read this thing. I dont know how it get anime in the first place, others manga deserve it more. Whatkind of person enjoy brutally torture woman, killing them over and over. What type of person would write these kind of things over and over. The bad guys die a peaceful one while the good one go through torturous and brutally death. The never ending pain and madness, even Thanos seem like a nice guy compare to this, hahaha.

Okay, this is my first ever review written for a manga simply because I actually enjoyed it. Enjoying it, geeky me decided to go down the rabbit hole of the mess that is, The Kingdoms of Ruin's story. Which includes, this might turn you off, MULTIVERSES. I'll explain it further but, let's get to the basics first. The art really carried the series for me. It's fantastic, nothing really needs to be said. The characters are a bit likable, save for Doroka at first but you'll grow to like her eventually. There's really nobody to hate except for the author for constantly killing everyone atrapid pace one by one. This series is really edgy and gorey, expect getting your favorite characters killed in the next panel, chapter, volume, ect.

Now, for the story. Massive spoilers ahead. Okay first, you'll have to know how the previous work of the author, "The Kingdom of Calburn," had ended: To put it simply, the main character Alfred dies and the female lead, Dorothea Grethe, promised to bring him back even it means killing him in another timeline. Well, the Kingdoms of Ruin's world is where Dorothea and friends (White Rabbit [a.k.a Shirousagi], ect.) appeared in.

Using her "love magic," she manipulated Emperor Goethe and eventually have him jump off a building and die, so she ended up becoming the Empress of the world's strongest and largest empire. While she sits back in her throne, she orders some very powerful people to go after Adonis' head, which is a key part in bringing back Alfred. Adonis, is Alfred in another timeline. Same goes for Doroka, who herself is Dorothea in another timeline. Shirousagi noted the similarities between them both.

That's really, the "true story" of the series. It gets really confusing, I know. I was confused if The Kingdom of Calburn and The Kingdoms of Ruin are really connected or not. Everyone who had previously read Calburn would really understand the, "great...", storytelling. Which is not a lot of people, trust me. But to those who haven't, which is the majority, would be so turned off by how the story shifted from "revenge, kill all humans" to romance between an idiot pacifist and an angsty teen. I really like it though, and I'm pretty sure it'll get explained later on. Depending if you like multiverses or not, go have a read.

Actually a lot better than expected. I came in thinking this'd just be your average edgy revenge fantasy, and in some aspects, it kinda is. The main protagonist is driven by revenge, they're not afraid of committing mass murder, yadda yadda, it does hit the notes in these regard. However, I was genuinely impressed by the art and worldbuilding. The settings in this look beautiful, and there are honestly a lot of novel ideas that have their own unique flair/distinction that makes it really cool. The fight scenes are also beautiful, though, come at the detriment of having a magic system that isn't really explained,so it comes off as just cool for the sake of cool most of the time (which it is, tbf, it is very cool). Characters are also fun, there is actual growth on the MC's behalf and the heroine, and the former, while not mellowing out in their schemes for revenge per se, does mellow out in their approach to life in general, and it's honestly pretty cool to see. And the heroine, while 'naive', at first, also goes through her own character arc, without feeling like they just succumed to edge and did a complete 180 on their character. Honestly, this manga is a banger and I'd definitely be down to read more. I'm really curious how they develop certain concepts.

This story is beyond bad. I do like power tripping and controversial topic. But it's like glueing together all humanity worse action and trying to slap some romantic love story into it without actually elaborating much. If you think Kill la kill or Tanya the evil is bad this isn't for you. This will make you want to cancel everything. You have been warned. From the Synopsis, you are presented Adonis. He is a witch apprentice who is just want to be with the one he loves. Suddenly humanity decided to go on full Genocide and War Crime mode against the witch with no real explanation and no solidmotivation. The motivation given was to stop being dependent of the witches and move towards an era of modernization. The actual mass killing and torture done by the Redia Empire is barely justified for plot convenience. It will be the driving factor to side with our protagonist and see his action as justified later on.

First few chapters show us how Adonis got capture and bring his full wrath to the Empire, later on for some reason he also bring the witches to their doom. Finally on the run with a new witch, with the power of love he will bring destruction to another country.

If this gave you a headache to follow, worry not! I feel the same.

What is the end goal Adonis? What is the actual final outcome he is seeking?

All sides are ugly, all side are not relatable.

Is Adonis actually seeking vengence? Or just a psychopath on the loose?

He seems to be powerful yet absolutely weak, the logic of the world they live in is absolutely flawed letting the magical aspect be the plot convenience and solution for all. It is not intellect, skills, craftiness, physical prowess that makes Adonis strong, just his magic when it actually wants to work by the whim of the author. You don't get a clear sense of the world they are in, as that world is pure madness and society would have collapse long ago if it ran with such fanatics.

It is a bad manga but not the worse one i've seen. Just read it if you want to see gore. That's all.

I will review this without spoiler. 1) Story - It actually have a very good strong concept. They really write a very good dark fantasy story with how hopelessly it is to lose when they are powerless. Also every concept about humanity's greed is pretty poetic. This one I have no issue with the story however... Yeah this manga LOVE to rush everything so it will all felt too sudden and fail to deliver... You will start to feel that way after many reread... Like yeah I don't get why the editor letting out this clearly unfinished story... 2) Character - Honest the character is generic... Likethey didn't developed them much at all until like 40 chapters...

3) World building - This one get a full 10/10. They completely well build. If you read it you will understand why for sure.

4) Powerscale - This one is a clear F score... Why? Despite how they explain the power they never really digging it... Even the Battle of Adonis vs Director too. Don't worry its so out of context that it won't spoil anything. Just saying they could have tell what the limit those two have. This leading into "weird battle"

Overall this is 6/10 and could be way better. It FAILS in character and power scale.