Reviews for Suite Precure♪

I think people tend to forget that Pretty Cure is intended for children, specifically, little girls. Yes, it appeals to a wider range of viewers, including adults, but, at its heart, it is intended for a very young audience. Sure, the situations where Seiren and Trio the Minor try to destroy Hibiki and Kanade's friendship might seem cheesy, over-the-top, or unnecessary, but that's how we see it from the perspective of an older viewer. When you're trying to make a point about friendship to a young audience, you can't necessarily be subtle about it. Also, could Hibiki and Kanade avoid 99% of their conflicts bysimply talking to each other? Yes, but then the show would have a lot less going on, and it would lose a lot of its appeal for its target audience.

The plot of Suite Precure is simple, but, again, it's a show for children. You can't really expect anything incredibly complex in a children's show. Basically, Hibiki and Kanade need to learn to trust each other and get along so they can fulfill their roles as Precure, and so they can collect all of the notes to complete the melody of happiness. Simple and straightforward. They have numerous run-ins with the bad guys (Trio the Minor and Seiren), who try to trick the girls and turn them against each other. In a lot of these situations, I wanted to say, "Come on, just talk about it!" but, while it seemed obvious to me that the solution was to talk about why they were upset, it probably doesn't seem as obvious to the younger viewers. It also wouldn't be as interesting to the target audience if the girls just talked about their problems and moved on.

I can understand why other people seem to have a problem with the whole "sad music vs. good music" theme in the show. Happy music isn't the only music that is good, and sad music can be just as enjoyable as happy music. However, do you really expect kids to get something like that? I'm sure older kids can understand that, but for the target audience, something like "happy vs. sad" is easiest to understand. As the children get older and listen to a wider variety of music, they'll come to that realization on their own, that happy music is not the only kind of music that people can enjoy.

I think the music is great, but I'd certainly expect an excellent soundtrack from a show that uses music as its main focus. There is a variety of background music that fits the scenes well, and the instrumentation is varied. The transformation music is really upbeat and catchy, and the background music for the attacks is great as well. I'll admit that I'm not experienced in critiquing music, but I've really been enjoying the music in Suite.

I really like Hibiki's and Kanade's characters. Hibiki is the tomboyish, sporty type, while Kanade is more studious and enjoys baking. Hibiki is goofy and silly at times, but serious when needed, and Kanade can be quite stubborn and assertive, especially when Hibiki is being particularly dense. The way they interact really reveals a lot about how close they are, even early on when they spend a lot of their time arguing with each other. As the story progresses, they argue less and are able to spend more time together as true friends. I've really enjoyed seeing them interact, from the time when they argued all the time to now, when they're getting along well. There have been many moments that have just made me go, "Awww! :D"

Hummy is dense. There's just no arguing that. I think she can be a bit annoying at times, but I think that has more to do with her ultra mega high-pitched voice than her actual character. I think she was purposely made extra dense in order to contrast with Seiren's calmer, more calculating personality. Hummy and Seiren play off of each other quite well; sometimes it almost feels like I'm watching a comedy routine. The mini-arc about their past together in Major Land, how they became friends, and how Seiren turned against Hummy, was rather well done, in my opinion.

Trio the Minor is basically your group of evil underlings who are actually just a bunch of derps. They're goofy, they sing when it's not really necessary, and their plans always fail. They make me laugh. Mephisto does too, as he's also goofy. I've read complaints from people, saying that they don't like Mephisto because he's not threatening at all, but I think that's the point. Considering what's happened in the past few episodes (29+), I don't think he's the "ultimate evil", so to speak. There's someone, or something, above him, and THAT's what's going to be truly threatening...or, as threatening as something can be in a children's show, anyway. I could be wrong, but that's just what I think.

I'd say my main problem is that I feel like the "mystery" of Cure Muse has gone on for long enough. Who is she? I don't know, just tell us already! I feel like they've already made her true identity very clear, but I'm saying that as an adult who can draw conclusions more quickly than the average child can. The younger viewers are probably still completely puzzled, and eagarly awaiting the moment when Cure Muse's true identity is officially revealed.

I like the bright, vibrant art style in Suite. Everything is colorful and eye-grabbing, even the bad guys. The transformation scenes are pretty, and, for those who are concerned that they're "too long", they do get cut down eventually. The attack scenes are also very impressive, visually. The animation generally feels smooth, and I haven't noticed too many "lol quality" scenes. The ending themes are really cool, too, with their 3D/CG animated dance sequences. I actually watch the ending each time, instead of just skipping past it like I usually do with most other series! It's definitely an interesting and different approach. (I know Suite wasn't the first Precure season to use 3D/CG animated endings, though.)

My overall enjoyment of Suite Precure is very high. Maybe I'm biased because this is the first Precure season I watched, but I love it, flaws and all. It's light-hearted and it makes me laugh. I really look forward to watching each week's episode. Suite may be unpopular with the general Precure fanbase, but I think it's great.

"Suite Precure" doesn't seem to have the best reputation in the Precure franchise. With weak starting episodes, silly conflict between the two main girls, and being the next installment after the highly successful and loved "Heartcatch Precure," expectations were both raised high for it and then shot down when it didn't deliver things similar to it's predecessors. Tag this along with the fact that it borrowed some used plotlines from previous seasons and people conjure up the idea that Suite is worst Precure season. With all of this on the table, is it safe to say that this is really the case? I, for one,can certainly say it's not.

Those who are familiar with the Precure franchises know that the plot definitely reused to an extent. Bad guy from another world gets sealed up, servants of said bad guy attempt to revive them by stealing emotions from the real world, and the legendary warriors Precure are called upon to protect these two worlds and eventually defeat the evil entity. Essentially, Suite follows this formula for it's main plot, but that's not the only thing that happens in this story.

Suite actually has a very strong arc, which thankfully, is the very first one that occurs in the series. The Siren arc, which is similar to Setsuna's villain redemption arc in Fresh is definitely the highest point in the series in terms of plot. The internal and external conflict with Siren and her own emotions is very intriguing and well-done. This also gives the show a stronger foot to work off of seeing as the beginning can be a turn-off for some people. (which I'll get to in a bit) The music theme in the show is also very well-played, and hell, even relatable. The messages that music has the ability to give people strength and make them stronger is definitely not an exaggeration. All throughout the show, that theme is very prevalent and never wasted, another big plus.

Although, a big flaw with the wonderful Siren arc is the fact that the other arcs seem to pale a bit in comparison to Siren's. For example, while the Cure Muse arc is shrouded around mystery, the interactions with Muse along with her development and acceptance with the other girls feels quite a bit rushed and not nearly as well written. The ending also seems to spin a bit around in circles in terms of trying to defeat the big-bad. Though I still see the ending as a very strong way to send off the series. Seeing the girls fight the bad guy and letting out their own past feelings and experiences, talking about and remembering how they were before and how happy they feel now that they've found each other was a very strong and powerful moment. The ending is able to get across its feelings of inner strength and happiness without resorting to melodrama or crying, just by speaking out their true feelings. And boy, does it work well.

If plot isn't Suite's biggest strength, than what is? Well, that's an easy answer -- the characters, their interactions, and most notably their development. I believe Suite had some of the best character development and growth in terms of Kanade and Hibiki. The two girls start off on bad terms after a (very silly and avoidable) misunderstanding a few years back. Due to their constant bickering after becoming Precure together, it's very easy to get aggravated and annoyed by all the fighting that goes on. Thankfully though, Suite does a marvelous job of putting in subtle development as these two girls learn and grow with each other.

As the episodes go on, you can see it. You can see Hibiki not doubting Kanade as much when she's being tricked by the villains to lose faith in her friend. You can see them beginning to understand each other more and start to help each other becoming better warriors and friends as opposed to bickering all the time. Watching the two girls learn from their past mistakes and becoming even closer than they were before is simply amazing, and something I heavily applaud Suite for. It definitely handles its two main girls well.

Though the great characters don't stop there. Siren's redemption is a very intriguing thing to watch. Seeing her own internal conflicts, even after becoming a Precure with the other girls just felt very realistic and was concluded in a beautiful way. While Cure Muse may not have as strong character development as the other girls, she too had a sympathetic and nicely played out arc, even if it was rushed and concluded in a very hasty way. Her own willpower and strength to get back what she lost is an admirable thing, especially for the young girls watching this.

Being a music themed season, the show definitely excels in its OST. The OP theme is especially refreshing since it has more of a rock feeling as opposed to the more J-Poppy feelings of the other seasons. The soundtracks played are well-fitting for both the slice of life moments in the show and the intense emotional battles that occur. The ED themes are a bit more generic and not as memorable, though aside from that the soundtrack and overall music in the show is solid. Artstyle and animation wise, to put it bluntly, looks gorgeous. The girls' designs are appealing to people who aren't a fan of the large round eyes that Precure is infamous for, and oh god, those transformation sequences. While not as dynamic as some may prefer, the backgrounds in them and the music that plays during them is simply breathtaking. Suite's transformations are the ones that you really dont' want to skip on, no matter how long they are. Fight scenes are pretty nice to watch too. Not too amazing but not that underwhelming (usually) either.

While I wouldn't call Suite the best Precure season, it definitely feels as they did put nearly as much effort in this one as they did in other well-received seasons such as Heartcatch or Fresh. It's hard NOT to come to that conclusion when you see all the time put into the characters and their personalities and development throughout the run of the show. While Suite definitely isn't without its flaws, like the reused plotlines, silly reason for conflict between the two main girls, and weaker arcs that occur after the first, its safe to say that its positives outweigh the negatives that it has.

"Suite Precure" is definitely one of the seasons that I would recommend to people who want to get into Precure, and overall is a very heartwarming and nicely written show for both the younger and older audience alike. Don't always listen to what the fanbases have to say. I know if I did, I would've missed out on a lovely and well-put together season, one that I definitely don't regret watching.

Suite Pre­cure had two things going for it. The bitchin’ trans­form­a­tion sequences and the CGI dan­cing in the end­ing song. Ser­i­ously, those things are so god­dam pretty and col­our­ful. Com­bined with the epic musical score, the bitchin’ trans­form­a­tion sequences were the high­lights of the epis­ode. The CGI dan­cing end­ing was pos­sibly even more awe­some. Anime always needs more dan­cing, but those I’ve gen­er­ally been presen­ted with haven’t been up to scratch. I can under­stand that the obses­sion with the Haruhi end­ing dance is pre­cisely because it’s so easy, but you can hardly call that a proper dance. That’s just a bit of hand wav­ing. SuitePre­cure is a proper dance. Anime still hasn’t quite got the hang of CGI mecha, but they’ve man­aged to get dan­cing magical girls look pretty damn awesome.

Prob­lem is, these two scenes made up about 4 minutes of a typ­ical epis­ode. I was often temp­ted to simply fast-forward to them and call it a day. The series star­ted off fairly well, albeit in an utterly bizarre sort of way. The open­ing 8 minutes of the first epis­ode were like some bas­tard child of Rain­bow Gate, Mazinka­izer and Jew­el­pet Twinkle. The altern­ate magical musical land and the pre­pos­ter­ously ridicu­lous bad guys, I laughed the entire way through the scene. But nope, can’t be hav­ing that. This is a magical girl series. We need to have human teen­age girls for the young female view­ers to con­nect with and for the dirty otaku to pen dirtier doujins of. Which is a shame, because I would have so watched a series of that magical musical land, provid­ing it too had CGI dan­cing end­ing songs and bitchin’ trans­form­a­tion sequences.

The main prob­lem is the incred­ibly lame attempts at cre­at­ing con­flict between the main two char­ac­ters. Hibiki and Kanade are our two heroines tasked with the respons­ib­il­ity of defeat­ing massive cakes and viol­ins who have been infec­ted by ebul musical notes. To do this they have to dress in pre­pos­ter­ously fanci­ful dresses and hair­dos as Pre­Cures and com­bine their powers as fight­ing machines. How­ever to suc­cess­fully com­bine their powers, they have to be as good friends as pos­sible, to teach young girls about the import­ance of friend­ship and to give smelly middle-aged males a chance to don their yuri goggles. This would be fine and all if the meth­ods they used to cre­ate con­flict between the two weren’t so dumb. The reason the two had fallen out of friend­ship in the first place was because one of them stood under the wrong tree by acci­dent. Which, while face­palm worthy in itself, the lead up to the reveal with two other little girls in the exact same pos­i­tion simply amp­li­fied the retarded­ness of the situ­ation. The next few epis­odes all revolve around cre­at­ing equally con­veni­ent obstacles for them becom­ing proper friends. None of them felt in the remotest way genu­ine and simply felt like Hibiki and Kanade being massive idiots.

Besides, I have a massive prob­lem with the entire plot of the show. I can handle a cat from a magical musical dimen­sion turn­ing two unsus­pect­ing teen­age girls into fight­ing machines. I can equally handle the vil­lains being a cat and a trio of goons who sing their responses, although I do believe the show missed a massive trick by not hav­ing them being a barber­shop quar­tet. Nah, my main prob­lem is the whole good music vs ebul music thing. What hap­pens in the plot is the ebul bad guys sing sad songs that make every­body all depressed. The good guys only cre­ate happy music so every­one is joy­ful all the time. The show even goes out of its way to say quite blatantly that music is only there to make people feel happy. I can’t be the only one who has a prob­lem with this, right? Sad music has every right to exist and has a highly import­ant place in soci­ety. It’s a strange thing to com­plain about, and maybe the show changes its tune (har har har) later on in the show to reflect a more even opin­ion, but the entire show centres around music. So blatantly say­ing that sad music is ebul grates on my nerves. Sad music needs love too!

So, we have the latest addition to the teenage girl army of "Cures" and soon we will be watching another movie mix-em all together just for the giggles. For starters, i have to admit that i'm not a big fan of the series, but i don't hate it either, i think its ok in general, and i have enjoy what i have watched of it. The story starts pretty much straight forward, and just like any other Precure story, we have the fairy magical kingdom endangered by the bad guy in turn and his pack of followers, who just wants to do evil things for thesake of being evil, in this occasion by the means of stealing the Score of "happiness" or wherever and turn it into the Score of "sorrow" and making everybody in the world practically an emo, but thankfully the queen take the notes and spread them all over... you guess it, Japan, and sends the little annoying speaking cat to get some girls and turn them into Cures and save the world.

So far, just another standard season of Pretty Cure, but there's some thinks that just annoys the heck out of me and make it less enjoyable that it could be.

Art

I think its ok, and sightly better that the previous series, as always its colorful everywhere you look, even the villains that use dark colors, use dark colors pretty strong and appealing, and besides i think the CGI its used pretty well, specially in the ending.

Sound

Well being a series based around music i think they do a good job at it, it has catchy tunes and the OST just fits very well, its not something amazing but it pretty well done and fits the purpose of the series, and i don't find it annoying like other shows of the same tone.

Characters

So ok, here is where i'm gonna start to rant, despise that i actually like the two protagonist, Hibiki and Kanade, i just don't find them as interesting as it should be, yeah they have some development and the focus of the series revolves around her friendship to the point that when they are fighting or arguing between them they can't even transform into cures, and that's actually very good, the problem is that the "problems" that they have, felt forced and/or over the top.

I'm actually more interested in the relationship between Siren and Hummy, who are the "talking cats" in turn that can sing the magical song with the magical notes, well, actually i'm interested in the Siren part of the story just because i find Hummy disturbingly annoying, but its just that i cant stand his kind of "everything will be solve with love and kisses and the power of friendship". Don't get me wrong, i have not much problem with some characters like that, but Hummy just make it so over the top to ludicrous levels that just stop making any sense.

Getting back to Siren, she for some reason just appear as one of the bad guys, latter is suggested some kind of brain washing, but that just make her more interesting, because as the story progresses it became obvious that she's having serious conflict about what she's doing and start to develop a kind of love-hate relationship with the main protagonists, and i don't know, that just make her a more interesting character to me than the main protagonists, and for the same reason i like the other mysterious Cure that nobody seems to knows anything about her so far, as for the main villain i'll talk about him on the "story" part.

Story

Here is where i have serious problems with this show, and maybe i'm overreacting but just follow me on this one.

So the main plot line so far is that Mephisto, one of the most stereotypically villains in history, wants to make everybody in the world sad and make them cry by performing a song named "The Melody of Sorrow" with the notes that i mention at the beginning and witch, so far, only can be used by the talking magical cats...

Where... do i... begin...

So lets put aside the fact that the name of the main villain so far is "Mephisto" why does he want to make everybody sad and cry? why are he gaining from all of that? what make him want to do that in the first place?... there is not even a clue to start solving any of that questions, seriously i know i can't ask to much of this kind of show, but at least in previous seasons the villains wanted immortality or destroy everything, you know, standard stuff, but why make everybody just cry. I got to admit that its pretty diabolical that he wants to make everyone in the world an Emo, but it doesn't make any sense whatsoever.

And by the way, this whole thing of the happy melody vs the sad melody just remembers me "Jem and the Holograms" is not that they are saying that the "emo music" is bad or evil (witch some of it actually is) but come on, music is one of the few things that could be a masterpiece without matter if it happy or sad, strong or calm, serious or silly. I mean, that doesn't have any sense, its like saying that i'm evil for making a drawing of a crying clown, its just doesn't work that way, people can feel sadness form a song, but at the same time that people could enjoy that same song equal or even more than a perfectly happy song.

Enjoyment

So here is when everybody would think that i don't enjoy this series at all, and you are wrong, its a pretty decent show, its very enjoyable despise the main threat doesn't make any f****g sense, but hey its not like someone would expect a masterpiece from a Pretty Cure series.

It's fun to watch, the battles are pretty cool, some characters are very well made for this kind of series, has some good music, has some decent mystery elements on it, and no, i don't mean the mystery of why the villain wants to make everybody an emo, and sorry i just can't get over that fact.

Overall, its not the worst things i ever seen but it could just be so much better with a megalomaniac or destructive villain, and if you are fan of the series or the magical girls kind of series, its not bad choice.

Don't you just hate it when fans of a franchise pour lots of hate on a show that in reality really doesn't deserve it, and for the stupidest reasons? Suite doesn't exactly have the best pedigree in the Pretty Cure franchise for a lot of really stupid reasons, the two most blatant are the fact that it came right after the most beloved Pretty Cure season, Heartcatch (which I admit is my all time favorite) and the fact that because of the March 11 earthquake in Japan in 2011, the producers were forced to change a lot of things to make it lighter and softerfor kids who may have been traumatized by the event. I didn't watch Suite during its run due to other obligations, but I think I'm glad I waited this long to watch it, because if I did watch it during its run, I probably would have joined the "Suite isn't as good as Heartcatch so let's hate on it" bandwagon. But just because one series isn't as good as another, it doesn't mean it's straight up bad, nor does it mean it doesn't have just as much good qualities that make it a great show in its own right. Suite isn't Heartcatch, but it doesn't need to be, as there's lots of good things about Suite that people really need to understand and acknowledge. Instead of focusing on the bad, we need to at least acknowledge the good things it has. Besides, how is it different from every other Pretty Cure series to warrant so much hate?

The story begins in a beautiful, musical world called Major Land, and the queen and her loyal subjects are about to hold a concert until a crazy man named Mephisto appears, steals the Melody of Happiness, and changes it to the Melody of Sorrow so he can make everybody sad. Aphrodite, fearing the worst, scatters all the notes onto Earth so he doesn't fulfill his goal, but as a precaution, she sends a cat, Hummy, and her friends, the Fairy Tones, to find warriors called the Pretty Cure, who might be able to defeat Mephisto and his goons and put the Melody of Happiness back together. But the thing is, the Pretty Cure turn out to be two girls named Hibiki and Kanade who used to be childhood friends, but due to a silly and avoidable misunderstanding, they do nothing but fight like cats and dogs. But when circumstances threaten everything they know and love, they're going to have to patch things up and put their grievances aside for the greater good.

Yeah, Suite Pretty Cure is basically the Sailor Moon SuperS of the Pretty Cure franchise, both for reasonable and unreasonable reasons. Some of the more reasonable reasons are that Hibiki and Kanade's catfights are caused by rather silly reasons and can easily be solved just by clearing things up and talking to each other. Normally, I tend to hate stuff like this, but Suite actually acknowledges that conflicts only get bigger if people just talk to each other and try to understand each other instead of jumping to conclusions and not listening (one of my favorite episodes, episode 6, is big on dropping this anvil), so I give it a pass. Plus, I like that it shows that friendships aren't always rock solid. Lots of friends get into fights over stupid reasons, and don't even talk to each other unless prompted. I found Suite's portrayal to be very true to life, and it just makes you feel warm and fuzzy when they fight and then grow closer and stronger than ever. Another reason people don't like it is that people expected it to be like Heartcatch: both light hearted and extremely dark, without pulling any punches. I loved Heartcatch for daring to go against common cliches corrupting kids' shows (in Japan, anyway. I wish it'd come to the US but God knows people might butcher it up the wazoo!), but Suite is generally rather light hearted and the stakes aren't as high as before. This disappointed a lot of people. I personally didn't mind the light hearted tone and less focus on dark themes, but it's not like the undertones are completely gone. Fun fact: the creators originally wanted to make it a lot like Heartcatch in terms of it being more serious and realistic in its conflicts, but the earthquake made the creators change the story a lot to make it what it is now. While it'd be interesting to know how Suite was going to turn out had it not been toned down, it's still a great show in its own right. Plus, really, wouldn't you rather have something like this to show your kids than, oh, I don't know, My Little Pony: Newborn Cuties?! Or Bratz?! Or all of those Barbie movies?! Or a huge majority of the gross-out comedy shows Cartoon Network keeps churning out like Clarence and Regular Show and Uncle Grandpa?!

Okay, now onto the good stuff: one thing I absolutely adore about this show is the setting, both on Earth and outside it. I LOVE the whole design and concept of Major Land. It's so wonderfully bizarre. I love the way the buildings are designed, the living instruments, their civilization, the citizens being both human and animal people (kind of like Escaflowne's word, Gaia, where it had both humans, half animal people, and straight up animal people), etc. Sure, it should have been developed a bit more, but I just love it! I also love the town Hibiki and Kanade live in, Kanon Town. It's basically a whole town that appreciates music to the point where they have piano sidewalks that make noise and have a cute little toy band playing on the clock tower. Those are really neat ideas! Plus, there isn't one scene in the whole series where someone isn't playing some kind of instrument. That shows that series about music don't always have to be about singers or pop stars.

Speaking of music, considering it's the show's motif, of course the soundtrack is all kinds of good. Instead of being peppy J-pop like most girls' kids shows are, it's a lot more rock and orchestra influenced. Plus it helps that the soundtrack was made by the guy who worked on Heartcatch's OST, which is always a plus. It always managed to set the mood and bring out the best in a scene. One little detail I really liked is the eye catch music. You know how eye catch music is only used for the eye catch and nothing else? Well, Suite actually expands on it and makes it into an actual piece of background music that's actually very well used! Kudos to you, Suite! However, I've heard that in recent times, the Pretty Cure series has developed a reputation for reusing music pieces from various series for unknown reasons. With Doki Doki and Happiness Charge, I've found that this is unfortunately true, and yes, it can be very jarring to hear something from another series in the current one. I actually heard pieces from Heartcatch play during Suite, but they're mostly BGMs that are used during quiet moments, not battles, which is fine with me. Plus, they weren't used too often, whereas in Happiness Charge Precure it keeps reusing battle pieces from Doki Doki for fifteen straight episodes, which I found very jarring and really needs to stop. NOW.

The animation in itself might lack the life, fluidity, and movement that Heartcatch had, but visually it's quite pleasing. The colors are extremely bright and stimulating to the senses, the CG for the transformation sequences is surprisingly good, the characters have some decent designs, and while the fights aren't as well animated as Heartcatch, they do their job when needed, especially during the hand to hand combat. But I have to admit, the facial hair on some of the villains looks extremely silly. God, they look like they came out of an eighties cartoon! Their beards and mustaches look strange!

The characters, while not the best thing about the show, are reasonably developed and fleshed out, especially Hibiki and Kanade considering how rocky their relationship is at the start. They do start off as familiar stereotypes, but they definitely grow into their own characters once the second half of the series comes around. While there are people who find their silly arguments over avoidable misunderstandings to be annoying and jarring, let's think about it for a moment: what person in real life DOESN'T get into a fight with someone over an avoidable misunderstanding? Not only that, it's always sweet to see them make up and grow closer than ever, prioritizing their friendship over silly misunderstandings. Plus some new characters add to their development even more. I particularly like one character whom everybody seems to hate for some reason. One character I'm not too fond of is Hummy. She is so ridiculously optimistic, dense, naive, and stupid it's not even funny! In one episode, she gets completely tricked by her ex-friend TWICE and not once does she get angry nor does she learn her lesson, and nobody calls her out on it! True, it gets lampshaded later on, but I'd be a bit more satisfied if the Pretty Cure got angry at Hummy or told her she shouldn't trust anyone so easily, as it results in stuff important to the story getting taken.

Now, time to address the many flaws of this series, and, I admit, there are a lot. There are even some that I agree with. One thing people don't like about Suite is its story. It's mostly about retrieving musical notes and defeating a guy who just wants to make everyone sad. I agree, there isn't much conflict in that. But someone on a Pretty Cure Livejournal community made a very interesting argument about said weak conflict: what if the villains make people sad so as to make it easier for them to take over the world? It's easier to mess with people who are sad and miserable than with people with aspirations, hopes, and dreams. In fact, this is what got me to check out Suite in the first place! Anyway, onto more flaws: the villain and his mooks aren't very threatening. They're just a bunch of goofy people who want to make everyone sad. But this doesn't last for long. Also, there are some things that bugged me more so than this. Suite has a really bad habit of introducing some things, then just completely giving them the shaft in favor of other things, and almost NEVER brings them up again until much later. For example, the Pretty Cure have a really good attack requiring them to get along called Passionato Harmony, but they completely do away with it in favor of magical sticks that they can use on their own, and they use those A LOT. They act like Passionato Harmony never existed, and they don't use it again until episode 28! They also don't explain some things, like why a character who was originally a cat isn't able to turn back to her cat form anymore. Also...what's with anime classmates loving a new transfer student just because they introduce themselves? Without giving away spoilers, a character transfers to Hibiki and Kanade's school and makes a complete fool of herself in front of a bunch of kids and they suddenly like her. This is exacerbated by the fact that she collapses and has to be taken to the nurse's office, and pretty much EVERYONE visits her out of concern. Uh...stuff like that does NOT happen in real life. If I came to a new school and said, "I'm looking forward to being friends with you all!" they'd laugh at me and tease me about it for the rest of my life! And I REALLY don't think an entire classroom would bother to visit a sick classmate just because. People just don't do that. I'm seeing this A LOT in anime. Is it some kind of wish fulfillment fantasy or do they do it to be polite? Regardless, that's not how school works. In another anime I saw called Sakamichi no Apollon, the main character transfers to a new school but is disliked and not thought much of. I actually liked that they took that approach, because reactions like that actually do happen in real life. I dunno, the way it was handled in Suite and a bunch of other anime just left a bad taste in my mouth.

Sorry. Had to address that elephant in the room. Anyway, another reason the series gets flack is because apparently the moral of the series is "happy music is good, sad music is bad," but I don't think it meant to come off that way. I took it as "don't use music as a means to cause pain or hurt people. All genres of music are meant to be appreciated." All flaws aside, I really don't understand why shows like this don't get shown in the US. I mean, seriously, this show would be absolutely the perfect thing to air on a channel like The Hub or Cartoon Network to attract a young female audience! It shows strong female characters who don't always get along but are still able to be friends, one character who is royalty yet defies every single princess stereotype known to man, and a relatively decent conflict as opposed to no conflict at all. Countries like America don't believe that cartoons for girls can ever be good for stupid reasons (which is thankfully starting to change thanks to the success of My Little Pony: Friendship Is Magic), but Japan believes the opposite: shows for girls can be just as good and high quality as shows for boys or even shows for adults! They actually get it! We need to follow their example! America seems to believe girl shows always have to be about spoiled brats having tea, giggling over nothing, and gossiping, and lots of overly perfect role models who are absolutely great at everything as that's how they get by in life, but girls don't like that stuff anymore! Girls like stories with actual conflict, well developed characters who have flaws and imperfections, and overcoming adversaries and learning about trust, friendship, and teamwork! That's what made My Little Pony: Friendship Is Magic such a big hit in America, and I think anime like this, if not butchered, edited, or bowdlerized up the wazoo, can achieve the exact same success if treated right! Japan gets it! Why shouldn't we?

It's not the best series in the franchise in the eyes of others, but for what it is, it's definitely one of my personal favorites, along with Heartcatch and Splash Star. Seriously, people! Stop bashing it for what it isn't, but appreciate and love it for what it is! It's not perfect, but no anime or media form ever is!

Well, we have another precure series and in the begining I was exited (Im a fan of this series) but this one have a big problem. Story: Well, the story has a big problem: Make people sad with music. I really think this is the problem. The main villians want to make people sad with the melody of sorrow. And then what?Really, whats the meaning of this? If you want to make bad things with music you have a lots of things to make. Suite precure have good things: Sound is really good. If you want to childish, but this anime is about music, so it hasto be good. The music of the transformation and attack secuense are the best of all

Art and animation are good too, not the best but I really like the character design.

Character. Another problem: the anime has too much friendship problems, and if you see some of the episodes you hate this. Hummy and Sieren (the cats) have this the same problem. Hummy may be cute and kawaii, but is too inocent and for a Magic girl pet is useless. At the beginning we see a personality on the characters and then they disappear.

The anime is iinteresting, it has it good parts, has misterious about the characrters and you want to see when the mysterious is over, but is has a lot: Will ruin the friendship" "We will separate precure". Honestly they are better seasons of precure series

So...the rating. How did Suite do as a season? Let's see! To start with, this theme was described as "the season most heavily obsessed with its motif:" music. I would like to say that this is extremely true, as the series seems to be almost obsessed with music to the point that some of the plot no longer makes sense. The idea of there being simply two songs, one to represent the happiness of all and the other to represent the sorrow of all, is, to say the least, an incredibly basic concept, and in retrospect, probably shouldn't have been applied so liberally and perhapscarelessly as a theme for the entire season as a whole. The fact that the Notes necessary to complete the Legendary Score are frequently lost, resetting the Cures' progress to zero every time, does not help matters, nor do the occasional "Note-hunting episodes" provide great aid. An interesting point comes to mind, however: As a villain, Noise is mysteriously flawed and ill-explained. As an example, he claims to hate all music and has a wish to destroy it all, yet the Melody of Happiness does not imply the destruction of all hatred or sadness. (which he dubiously claims to be of his origin) It simply implies the addition of happiness, as well as the fact that his ideal world is self-defeating, in that he requires a song in order to not only take hold, but even to simply awaken. This is to say nothing of the fact that his background is completely unexplored; What caused him to hate music in the first place? Did Minor Land actually exist before his reign as a simple neighboring land to Major Land? How do the frequently used earphones with "bad music" factor into brainwashing people to become evil? Many of these factors and more were left unexplained, however, the series has more problems than it has answers. For roughly the first ten episodes, the protagonists, Hibiki and Kanade, argued constantly, to the point it was feared to be used as a formula for the entire season.

While these episodes would appear to be for the purpose of strengthening their bond (such as in the case of Rei and Usagi from Sailor Moon), this did not appear to be so; their fights were usually over petty squabbles and a lack of communication. Over the course of the series, many antagonists had a primary role, although Baritone had an extremely minor role in comparison even to the other Minor Trio members, who the series predominantly focused upon. Cure Muse was a welcome element to the series then, as her presence was in the form of a Tuxedo Mask-esque role, to save the girls in a pinch as a silent yet heroic character who acted for her own ends, whether this meant helping or hindering the main Cures. On the other hand, I believe that Siren's redemption arc was drawn-out and melodramatic; in order to have the slightest realm of believability, one would need to assume that she has never felt any human emotional attachment towards others, which is clearly not the case, given her close relationship to Hummy. In my opinion, I felt as though once redeemed, "Ellen" was only valued as a character for her superficial, "cute factor" values moreso than a character; it felt like she was there moreso to be adored by the audience rather than be a team player. Hummy herself has her share of faults; while it's completely acceptable to have a character who believes in the potential for good for anyone, it is absolutely ridiculous the level this was taken to; Hummy has fallen to approximately a minimum of five schemes where Siren manipulated her into pretending she was converting to good, typically in the most blatant ways possible, yet Hummy continued to retain a naive attitude and "trust" in her. The Minor Trio were greatly overused as well and more than ran their needed course for the series, especially considering Baritone's aforementioned lack of screentime. The series also heavily relied on friendship, to an even more excessive degree than other series.

The degree to which friendship and hope were relied upon in this series was very baffling, to the point that certain pieces of the plot no longer made sense. For instance, in the season finale, both Major Land and Earth are completely petrified and it appears that Noise has no intention of stopping. Rather than formulate a plan to fight, the girls simply rely on "being happy" to win by boosting their spirits; even for a season finale of a kids show, this is one of the most unrealistic approaches to a season finale I have ever seen. Aphrodite also seemed apparently willing to antagonize Noise by having her surviving citizens play music in her concert hall, and they show no reaction or empathy whatsoever to their fellow citizens after being petrified and simply play on as if nothing had happened. Overall, the themes for this season were overwhelming and ironically, did not "harmonize" well with each other, as I'm left with critiques and questions about the series that should have been resolved by the final episode. As well, the series seems obsessive on the point that "sad music" has no right to exist, and only "happy music" should be allowed to exist, which, in my experience of watching various musical scores in various forms, is idiotic and asinine. Neon Genesis Evangelion is more than a perfect example, as well as Sailor Moon for a secondary example, of how "sad music" can be just as, if not intensely moreso, powerful than "happy music." Instead, I'm left with more questions than answers, so I would like to rate this series as a 4/10, unfortunately. I hope future seasons will be better.

This show was made before a major earthquick end 20,000 Japabese people lives , so the early dark episodes got lighter , this show tone is all over the place a little bit , The villains are not the best , and the brainwashing was a bit over use in this season of Precure , Smile is better than Suite to be honest , the reveal of the final Cure came out of nowhere , and I am not a fan of her color The music is good , and the voice acting and singing is good too , thedesigns are good as well , watch Suite if you like the music motif

Ah, Suite Pretty Cure. After rewatching it, I’d have to say this would be the season I probably enjoyed the most of the Pretty Cure franchise. Overall, not an amazing show, but a very enjoyable one. Obviously, Pretty Cure is made for kids so they can’t experiment much with how they make the seasons (They tried that with GoPrincess and parents in Japan didn’t like it). Though many people dislike this season, I just can’t bring myself to hate it. I find the cures to be unique compared to some other cures in the franchise. Though Ellen seems like a “copy” of Setsuna, she’s basicallya cat version. Hibiki is basically Nagisa, but compared to some of the newer main pinks she’s one of the most interesting. Kanade is pretty cool, I like her relationship with Hibiki a lot, but I wish she got more focus. Now Ako is probably the most interesting. She’s one of the youngest cures in the franchise and the first to do the trope. I like her attitude and she’s probably the smartest cure on the team. And Hummy, she’s just too cute. Not my favorite mascot, but she’s nice. I like how naive she is and everyone seems to be aware of it.

Now the villains, probably my favorite part of the show. They are just the definition of “so bad it’s good”. I can’t count how many times I found myself dying of laughter because of them. Mephisto is hilarious, but his relationship with Ako is pretty wholesome. Trio de Minor is just…..so dumb lol. Bassdrum and Baritone are fine, but Falsetto is what really got me cracking up. I am not lying, this guy LITERALLY BECOMES THE MAIN VILLAIN FOR A FEW EPISODES. After Mephisto reforms, I guess the writers needed to have some sort of threat before Noise came in? I guess they thought Trio de Minor was too incompetent, lol. Noise is well, interesting. He kind of comes out of nowhere but he has an interesting motive. I don’t know, I think he hates sound or something? Anyways, the villains of this season are hilarious incompetent.

The plot itself is ehhh. You should probably only watch this show if you want a good laugh. But if you genuinely care about writing in a show this one’s probably not for you. Heartcatch or Go!Pri is probably more your cup of tea.

This is my first MAL review so please bear with me, lol.

This review will be spoiler free! For me, Suite Precure was the most promising Precure season up their time. I really liked the chemistry between the two main girls and I liked how the visuals felt more Precure than the previous season. Not only that, but the girls to me felt that they had more personality than most of the previous Precure's. However, the last 12 episodes ruined what was being a very enjoyable show to me. When the final precure's identity was revealed, it broke the dynamic of Suite Precure as a season. The anime created a perfect oportunity to have the climax of the storybut instead decided to backtrack and drag itself for 12 more episodes. Even the final showdown with the "last boss" (using videogame language here) took twice as long of what it should have. I also disliked the way it ended.

A few extras I would like to mention is how this was the 1st Precure season where I felt the casting should've been better for some characters and there's plenty of inconsistencies in regular human behaviour when they witness talking cats. Sometimes they freak out, other times they don't care.

All things considered, it's a painful 6/10 for me because of the wasted potential.